Showing posts with label KATY MANNING. Show all posts
Showing posts with label KATY MANNING. Show all posts

Thursday, July 11, 2013

KOOL TV REVIEW: 'DOCTOR WHO - THE GREEN DEATH' SPECIAL EDITION DVD


Of fungus and maggots! A disturbing ecological terror for the Doctor and Jo Grant in the new BBC DVD release of Classic DOCTOR WHO: The Green Death. Images: BBC.


DOCTOR WHO – THE GREEN DEATH (SPECIAL EDITION 2-DISC SET)

Starring Jon Pertwee as the Doctor and Katy Manning as Jo Grant

Written by Robert Sloman
Directed by Michael E. Briant

Available 5th August 2013 from BBC DVD


Reviewed by Scott Weller


How green (death) was my valley!


They’ve been fighting all manner of weird and vicious alien invaders from outer space on and off during their previous three exciting years together, but now our heroic and exiled Time Lord DOCTOR WHO, and his ever faithful and lovely companion Jo Grant face an altogether different, but just as lethal, man-made adversary, in the intriguing, very 1970’s socially relevant story of pollution and ecological disaster-The Green Death-forever remembered as “the one with the maggots” to a generation of fans and regular viewers back in the shows tenth anniversary conclusion, as well as being a tale that crafts a fittingly emotional and satisfying send-off to UNIT’s finest dizzy heroine, and a firm family favourite, played with such delightful charm and zest by Katy Manning.
 
It's a case of mushroom mania for the Doctor (Jon Pertwee).

Conjured up by producer Barry Letts and script editor Terrance Dicks at that time as the ultimate morality play for the series, wanting to stir up debate about what mankind and industry was doing, and is still doing even now, to harm our planet and its ecological balance, The Green Deathsees the serene and beautiful Welsh valleys threatened by the Global Chemicals company’s power mad ambitions to create a new, clean controlled energy source to aid our planet, when, in actuality, they are turning a blind eye to the lethal by-product emerging from their technological advances: a pollutant super-bug and its maggot infection carriers spreading their unnatural influence through the nearby coal mines and soon the entire area, of which even the resourceful Brigadier Lethbridge-Stewart (an always nicely pitched Sorting It Out the British Way performance from Nicholas Courtney) and his solid military forces of UNIT have trouble containing. As the Doctor and Jo, with new friend Dr. Clifford Jones  (a youthfully memorable Stewart Bevan) race to find a solution to the problem, a second threat emerges from the industry giant via the wavelength terrors of its globally immersed super computer, BOSS, wanting to establish itself as the Skynet of its time and take over the world/enslave humanity. Enemies to the left of them, enemies to the right of them, indeed…

Like a GOOD LIFE episode gone very, very rogue, Robert Sloman’s capable script, despite some heavy handed preaching early on, certainly has its heart in the right place, and is choc-full of strong characters, incident and memorable cliffhangers, with a pace that never flags or proves boring, shored up further by inventive and exuberantly experimental direction from the series then top WHO director Michael E. Briant. Only the BOSS aspects of the plot comes across as a little uninspired-at the same time States-side, Captain Kirk in STAR TREK was facing down bigger and better machine villains like this on a regular basis- but the overall confection is well worth the six episode duration.
 
Jo Grant (Katy Manning) and her new love, Dr. Clifford Jones (Stewart Bevan).

Star Pertwee has some fine moments of heroism and charm (and even gets to the indulge in some comedy drag!), but also proves to be a lot more vulnerable, too, especially by its close when he has to say goodbye to his dear friend Jo, coming of age and showing a more independent nature than we’ve seen before- the character and Katy Manning’s departure carefully and assuredly plotted through the story. Jo’s goodbye is a truly affecting and emotional moment for the actor and his role, as well as the viewers who have enjoyed watching the duo these past three years- its the closest the Doctor has had to a loving relationship with a companion at this point in the series history. As his “fledgling flies the coup”, its an end of an era for Pertwee’s time on the show, of which story seeds for his own departure are already in motion for exploration and exploitation by the conclusion of the following season (linked to the Doctor’s opening solo trip to the infamous Metebelis III- the famous blue planet of the Acteon galaxy, where he just about survives its environment and animalistic horrors in order to retrieve one of its infamous blue crystals- a piece of curiosity that would come back to haunt him with disastrous consequences, and the ultimate catalyst for his regeneration into Tom Baker).
 
A helpless Doctor and Brigadier (Nicholas Courtney) watch as Dave (Talfryn Thomas) tries to save the mine-trapped Jo.

Primed with good scripts, a fine guest cast includes the aforementioned Stewart Bevan as Jo’s new beau, the younger but similarly enthusiastic and charismatic replacement to the Doctor in Clifford Jones, dedicated leader of a small group of hippy scientists in their “Nut Hutch” research home, winning her heart and dedication against the threat to mankind posed by big business and pollution, primarily in the controlling form of Jerome Willis as the manipulative, power playing Global Chemicals boss, Stevens, seemingly unconcerned about the fate of the Welsh landscape, and the world, about to be apocalyptically blighted with the deadly fruits of his labours. John Dearth, as the insane computer voice of the BOSS, and Steven’s ultimate behind the scenes puppet master and tormentor, clearly relishes his role, proving as devious and egotistic as the humans who created him and unwittingly launched its ambition onto the world.
 
The ingeniously created, memorable maggots of the story. Seventies BBC SPFX at their most inventive.

But by the beginning of episode two, its the creepy monster threat, uncovered in the mines by the Doctor and Jo, that prove to the most remembered and iconic aspect of the story. Praise should go out to the talented and versatile BBC special effects team of the time in bringing the grotesque and often disgusting looking maggot creatures to life through a variety of ingenious methods (including numerous types of puppets and the use of real-life maggots in large numbers). The effects may seem variable by today’s CGI standards but they were certainly good enough at the time to make a lasting impact on a generation of early fans. The creatures (alongside a metamorphosed giant red-eyed fly, making a brief appearance in the final episode) would quickly become the kind of classic WHO monsters that kiddie viewers would find instantly repulsive, yet endlessly fascinating.

For every success linked to the creatures, though, there are a few occasional other failures. Some of the Colour Separation Overlay scene techniques linked to some of the cave interior scenes look woefully inadequate, causing some pretty bad looking yellow line composition overspill, but, as is customary for so much of the original series, the overall conviction of the actors and the fast-paced directing quickly override such concerns.
 
Jerome Willis as the Global Chemicals power baron, Stevens.

Unleashed into the surrounding area, the story’s exterior filming in Wales counterbalances these problems, and is picturesque and effective- bad enough that the Coalfields would later be menaced by Margaret Thatcher, now they’ve got maggots and the Green Death! Meanwhile, back at Auntie Beeb’s then powerhouse Shepherd’s Bush studio empire, the production design around this horrible new threat is equally well assured- with all the caves and tunnels built for this story the designers name of John Burrows now seems quite apt, whilst the computer room of Global Chemicals has a very familiar feel to it, effectively utilising rented props from Gerry Anderson/ CENTURY 21’s then defunct UFO TV series!

Forty years on from its original viewing behind the sofa, this special release DVD’s picture quality re-mastering is assuredly an enormous improvement on its previous 2005 version-the aforementioned filmed location sequences being particular standouts.
 
A parting of the ways for Jon Pertwee.

All of the original extras from that 2005 set have been retained- the classic and affectionate audio commentary with Katy Manning, the late Barry Letts and cuddly WHO writing legend Terrance Dicks, single interviews with Stewart Bevan, Robert Sloman and visual effects assistant on the story, and maggot builder, Colin Mapson. Plus, Global Conspiracy, a fun if overlong documentary spoof looking at the story’s events and its after effects on the local community at Llanfairfach, from die-hard Pertwee fan Mark Gatiss (a huge admirer of this particular adventure), with the additional help of the story’s original supporting stars (including Jerome Willis and Tony Adams).

But the standout is the all-new documentary from stalwart WHO DVD talent Chris Chapman- appropriately titled The One with the Maggots- which has fresh and interesting contributions from Terrance Dicks, Michael Briant, Colin Mapson, then Assistant Floor manager Karilyn Collier, and, reunited at last, Katy Manning and Stewart Bevan (who, at the time the story was originally made, were a real-life item), happily and affectionately talking about what it was like to work together on the story, its importance to them and the behind the scenes aspects of the series, especially how the crew were all blubbing at the end when their favourite lady left the production and the series.
 
Katy Manning and Stewart Bevan cosy up for some brand new, lively reminiscing.

There’s also a new bonus audio commentary, as veteran WHO fan and Rory Kinnear lookalike Toby Hadoke puts on his best Pertwee style authoritativeness to moderate several episodes with Richard Franklin (whose character of Mike Yates has some lively spying business in the tale) and guest actress Mitzi McKenzie (who played fungus food growing scientist Nancy), plus Katy Manning and modern WHO series guru Russell T. Davies, talking about the importance to them, and the series, of the story’s final tear-jerking episode.
 
Pertwee has some fun on location in 1973- part of some rare behind the scenes footage on the DVD.

Other new brief gems for classic series veterans to savour include two news segments from the Wales Today programme: the first showing some silent, and very rare, colour footage of the filming of the story back in 1973 (really nice to see), followed by the late Pertwee returning to the location site in 1994 and opening the new country park built over the old colliery. As ever, Pertwee, one of WHO’s finest ever promotional ambassadors, is on enthusiastic form and his presence in both these short and sweet items makes us all miss him more than ever during the current Fiftieth Anniversary of the show. With the departure of Katy Manning, the DVD also bears a taster of what the actress did straight after WHO, becoming a presenter on an arts and crafts series of the day called Serendipity.Looked at with today's television-making techniques, it’s all very primitive, but Manning’s enthusiasm and delight at being at the shows helm, despite her clear to see inexperience, warmly radiates.

Bookend rounding off this welcome celebration of all things Manning is the actress contribution to the modern WHO series era through two 2010 episodes of its hit spin-off, the much-missed Elisabeth Sladen starring vehicle THE SARAH JANE ADVENTURES. Specially written for her to appear by then series maestro Russell T. Davies, Death of the Doctor is a fine and dandy adventure story (and also the writers first and last scribbles for Matt Smith’s Eleventh Doctor), where she and her grandson attend the so-called funeral of our Time Lord hero alongside her successor inside the TARDIS, Sarah Jane Smith- ultimately discovering that he’s very much alive and well, if stranded on an alien planet, and ready to fight alongside them against a strange group of Ostrich-like funeral director aliens with designs on Earth and time travel domination.

With Death, fans of SJA will greatly enjoy the accompanying and very revealing behind the scenes optional audio commentary from Manning and Davies, the latter revealing what might have happened to one of the series characters had the show continued and Miss Sladen not have been so sadly and tragically lost from us.
 
Jo returns to meet her successor, Sarah Jane Smith (Elisabeth Sladen), in Death of the Doctor- a nostalgic adventure from THE SARAH JANE ADVENTURES.

The overall Welsh flavor of the DVD continues, not only playing an important part of the shows classic era, its territories would also go on to define the modern WHO series as well, serving as the primary location base for the 2004 resurrected series. This DVD release goes into huge detail on the shows eventual return to our TV screens with the Doctor Forever! documentary, The Unquiet Dead, focusing on how a group of dedicated TV professionals, and fans of the series, finally managed to bring it back to the BBC despite overwhelming odds and notable dissent from top corporation higher-ups, including the series old eighties enemy Michael Grade and Mark Thompson. Then Head of BBC Drama Jane Tranter and new WHO Svengali Russell T. Davies, who make impressive contributions to the documentary, should be congratulated on their brave decisions and bold stubbornness at bringing back the show back to acclaimed heights in a new, more modern and more expensive looking way- You’d think that WHO’s out of the wilderness resurrection, quickly opening up a popular family viewing slot on Saturday nights, would have been a no-brainer decision for a wanting to get back on track, ratings seeking Corporation, but it ultimately proved a far more problematic and difficult task than anyone could have realized. The Unquiet Dead establishes itself as a genuine highlight of the entire WHO DVD series range, full of fascinating behind the scenes info (how original series veteran Tom Baker was going to be the star of the series all over again, how the Daleks almost never returned, and how the Canadians wanted to dub over Christopher Eccleston’s voice, being just some of the many intriguing revelations!).

Finally, there’s the always epic production information subtitles-worth digesting into your brain along with some tea and biscuits, and of their time RADIO TIMES magazine story listings, a solid photo gallery, some Easter Eggs to keep your eyes primed, and another exciting Coming Soon trailer: prepare for icy chills and avalanches galore when Patrick Troughton encounters unthawed Martian invaders in The Ice Warriors. "SSSS...."


KOOL TV RATING (Story and extras): Fondly regarded as quintessential WHO for the period, The Green Death has held up well for the most part: tea-time horror that doesn’t cross the borderlands of later years, whilst possessing a moral code emanating from its series characters that should be applauded and appreciated more than ever. 4 out of 5




Saturday, June 1, 2013

KOOL TV REVIEW: 'DOCTOR WHO - HARVEST OF TIME' NOVEL



DOCTOR WHO: HARVEST OF TIME

Featuring the Third Doctor, Jo Grant, UNIT and the Master

A novel by Alastair Reynolds

Available 6th June 2013, from BBC BOOKS


“Nastiness comes in all sizes”

The Doctor

Current TV Time Lord Matt Smith may not be back on our screens until later this year, but DOCTOR WHO fans have lots to celebrate in this anniversary year with the Doctors of the past-splendid fellows, all of them!- within BBC BOOKS continuing evolving range of original fiction. Acclaimed British sci-fi author Alastair Reynolds follows Stephen Baxter’s prominent footsteps in helming his first, and hopefully not last, original DOCTOR WHO novel set within his favourite Doctor/era from childhood. Pacily written, Harvest of Time joyously captures the spirit of that five-year earthbound period starring the beaky nosed, cape-swirling hero Jon Pertwee.

Set at some point between the Classic WHO stories The Daemons and The Sea Devils, the incarcerated mind of evil that is the Doctor’s deadliest nemesis from Gallifrey, the
Master, is up to his old tricks again-desperate to escape his confinement and using the past, present and future as his weapon. But strange things are afoot linked to his unique presence. Time seems to be changing around him. And why are his UNIT captors suddenly and inexplicably starting to lose their memory of their Public Enemy Number One? What’s causing this “time fade? And can it be stopped?

Even with this looming threat of forgetfulness, however, a bigger catastrophe is quickly beckoning our heroes attentions, as the Doctor’s favourite planet is in danger once again. There’s metal killer crabs, pockets of Earth’s oceans being diminished or disappearing, collapsing North Sea oil rigs and an ancient alien ship which should be destroyed but isn’t, its lethal cargo intact and ready for revenge…

One of the most belligerent and vicious life forms who exist to conquer by sheer numbers, the Sild, have made their arrival on Earth, emerging from its once blue seas…and they want it!

The warm, comfy hint of the shows halcyon seventies days remain intact and finely recreated by Reynolds. The affectionate relationship between the mature Doctor and young Jo Grant recreates the charisma of stars Jon Pertwee and Katy Manning (even if they are separated for the vast majority of the book), whilst Pertwee’s mannerisms and dialogue in the overall scheme of things all feel right. So too do the UNIT regulars (the indomitable Brigadier, likable Etonian Mike Yates, reliable Benton), all given sturdy moments in the sun.

The story’s new supporting players are solid whilst keeping to the era: there’s corrupted ministers and lackeys, an oil rig boss with an important past and future history, and the disposable soldiers always getting killed by the threat of the week, set against some nice WHO location backdrops- an abandoned nuclear plant, oil rigs, dying planets and an epic-size spaceship, the former two appearing when the story kicks in to big sci-fi concept mode during its second half: Chapter Twenty-one, in particular, has a brilliant ending that’ll make you want to keep reading on into the night…

But it’s the Master that reigns supreme in this adventure- his hypnotic visage, diabolical evil, supreme intellect and all-round charm as personified by the late, magnificent Roger Delgado. His eventual and inevitable team-up with the Doctor, which was such a big and vital element of that era’s success, continues with aplomb.

With some nice links to old and new series, and one fun little plot element/tribute that fans of Douglas Adams time on WHO will greatly enjoy, Harvest of Time is easily one of the best original DOCTOR WHO novels in a very long time, and a true pleasure to read. A well-thought out, classic mix of nostalgia and sci-fi trappings within a lovely tribute to the TARGET books of old, but with added sophistication.

All we need now is some imaginary RADIO TIMES episode clippings made real, to give us some teasing plot elements and a cast list, and our nostalgia senses for Classic WHO are fully primed!

KOOL TV REVIEW: A lovely tribute to seventies tea-time horror and imagination-the spirit of Jon Pertwee, and the shows then dedicated and highly creative seventies production team, lives on! 5 out of 5

Get hold of HARVEST OF TIME here:




Saturday, May 25, 2013

KOOL TV REVIEW: 'DOCTOR WHO - THE MIND OF EVIL' DVD


The Master (Roger Delgado) wants revenge on the Third Doctor (Jon Pertwee) in the latest DOCTOR WHO DVD: The Mind of Evil. Images: BBC.


DOCTOR WHO: THE MIND OF EVIL (Two-disc DVD)

Starring Jon Pertwee as the Doctor and Katy Manning as Jo Grant

Written by Don Houghton

Directed by Timothy Combe

Available 3rd June from BBC DVD


Reviewed by Scott Weller


Weapons of the mind and of physical carnage are the latest problems for our heroic DOCTOR WHO as the battle against his sworn enemy, dangerous fellow Time Lord singularly known as the Master, continues, in the classic six-part 1971 adventure of prisons and peace conferences: The Mind of Evil, finally available in restored full colour on two-disc DVD from the BBC.

Whilst all of the shows Doctors and eras are being well catered for in the BBC’s DVD releases during the Fiftieth Anniversary, Jon Pertwee’s era has shined the brightest so far, what with this and the prior release last month of another of that period’s most regarded stories, the nightmare parallel Earth story Inferno.

Trailer: Mind of Evil - Doctor Who DVD - YouTube

A solid and hugely successful second script from that story’s same writer, Don Houghton, The Mind of Evil is just as thoroughly entertaining but goes for a less depressing scenario-here we’re firmly entering James Bond-esque territory mixed with prison drama intrigue and an interesting sci-fi monster of the week twist that proves an original new threat to our hero. Mind is a satisfying hybrid in many ways, mixing the Quatermass style realism of the show’s previous season with the fantasy elements that would become so indicative and enjoyed of the Terrance Dicks and Barry Letts’ full creative takeover of the series with Season Eight- keeping the big concepts, but making them further audience friendly, in a more fast paced, flashy comic book style than had been seen before. It’s also one of the few six-parters of the time that successfully maintaining its story duration, and never flags.
 
Prime Pertwee! The Third Doctor begins his investigations.

Star Pertwee clearly enjoys the seriousness of the dilemmas and dangers the Doctor faces here, but also has the chance to show some charm and humour, especially in his scenes with the Brigadier (the Wise to his Morecambe) or with relatively new companion Jo Grant (the always endearingly sexy Katy Manning), their relationship starting to blossom whilst captured in Stangmoor Prison, during their examination of an unusual new device to temper hardened criminals, planned to replacing capital punishment, which soon goes awry-alien interference and manipulation quickly discovered behind the stone walls and confinement cells.
 
The Master (Roger Delgado) revels in the chaos.

Arch-foe Roger Delgado as the Master makes the most of his season-long guest star appearances, and is very much the Bond villain here, what with his chauffeur and limo, a big cigar to puff down on and a femme fatale, in the shapely form of the controlled Chinese delegate liaison (played by Don Houghton’s wife Pik-Sen Lim), to do his bidding. Never has the clicking of fingers been more sinisterly effective.

Away from his Nehru high-collared suits, “the Doctor’s Moriarty” has the world’s fate in his vice like grip, stealing a deadly nerve gas missile and planning to attack a vital World Peace Conference that’s simultaneously taking place. (As a continuity side-note, world diplomatic relations with the Chinese reaches a state of escalating tension by the next season, and the return of the Skaroan tinpots, in Day of the Daleks.)

Jo Grant (Katy Manning) and the Doctor (Jon Pertwee) feel the mental terror of the Keller Machine.

Of all is appearances in the Pertwee years, this is the closest that the Master gets to almost defeating his pest of an enemy, and he certainly puts the Doctor through the ringer at numerous times: beaten up psychologically by the alien inhabiting Keller Machine, and physically by the prison thugs enjoying their freedom in the madhouse.

And the Master’s “pet” in the Keller Machine – an equal mind of evil to him- is certainly one of the most formidable monsters of the shows era, despite its box-like appearance. The concept of a creature that feeds on fear and terrifies victims to death remains a strong one- its on-set realisation pretty effective, accompanied by some memorable sound design from Brian Hodgson and a hauntingly dangerous electronic whirly-gig theme of Machiavellian malevolence from the series then regular composer, Dudley Simpson, effectively utilized in the scenes that show the device disappearing and re-appearing to drain and kill its victims.
 
Prisoner Branham (Neil McCarthy) is an early victim of the Keller Machine.

Soon, the out of control Keller machine is freed from even the Master’s enslavement, as the classy villain once again, despite his determined abilities and grand ambitions to destroy the Earth in front of the Doctor’s eyes, makes a complete mess of things and is forced to rely on his rival and former friend to help him contain its influence.

In the midst of all this, the Master’s other plans for the planet, namely the takeover of a nerve gas missile, gather momentum, and it's here that the Doctor’s loyal friends at the top secret UNIT organisation come into story play.
 
The impressive nerve gas missile stolen by the Master.

A more cozy set-up than what had been previously shown last season, our small band of Britain’s finest alien-fighting troopers show their mettle by the end of the story, though early on they prove no match for the abilities of the Master’s assembled, hardened criminals when they attack their missile convoy- of which even our friendly Sergeant Benton (John Levene) gets seriously hurt in the battle, whilst Captain Mike Yates (Richard Franklin), who should never be put anywhere near a motorbike!- becomes a captive of the renegade Time Lord for a brief period.

From all this chaos, Brigadier Lethbridge-Stewart’s leading from the front attitude- a rallying call for his brave soldiers- proves its worth in a successful Trojan Horse-style attack on Stangmoor Prison (represented in some lovely location filming at Dover Castle) to seize the missile and rescue the Doctor. The sequence is easily one of the character and actor Nicholas Courtney’s finest moments in the series, effectively utilizing Derek Ware’s at-their-prime stunt team, HAVOC.
 
Mailer (William Marlowe) plans to kill the Doctor.

A fine supporting cast caught in the drama and conflict includes THE GENTLE TOUCH’s William Marlowe, always at his best when playing hardened baddies, Michael Sheard, in his second of several appearances throughout the series classic era, as a friendly prison doctor taken prisoner, and Neil McCarthy, making a worthy impression as brain-sapped gentle giant Barnham, a survivor of the Keller Machine’s early operation, who also plays an important part in its defeat by story’s end.
 
The Doctor has no choice but to incapacitate Barnham.

Having steered WHO success the year before with his directing of the hibernation emerging Silurians, Timothy Combe’s work on Mind is fast paced and has some great angles. It’s a real shame that unforeseen filming problems and some expensive additional shooting on this already over budget big story meant that he was never to return to direct future episodes of the show – a policy decision made by the BBC at the time that was well and truly wrong, and one which, to this day, haunts and clearly upsets the director, having been involved in so many previous and successful WHO stories in various behind the scenes capacities. Combe clearly gave one hundred per cent to this story and was surely a much missed creative force during the Pertwee era.
 
The inmates have taken control of Stangmoor Prison.

Bringing extra greatness to little money, and stretching the BBC studios to their fullest resources, Combe, under the gun all that time, is capably assisted by designer Raymond London, showing greater range here than he did on his previous B/W Patrick Troughton story- the woefully budget inadequate The Krotons.

There’s really only one very small negative to this otherwise superb adventure: a mythical Chinese dragon monster that appears in hallucinatory but deadly form at the end of episode two/the beginning of episode three, which is more cute-looking than ferocious, affectionately and derogatorily nick-named Puff the Magic Dragon at the time by Terrance Dicks!


A selection of stills from the excellent colourised episode one work.

Dream dragon aside, it’s truly a shame that The Mind of Evil doesn’t exist in its original pal 625 line state-of all the Pertwee tales this is one of the most deserving. Though, in some respects, its earlier B/W life did give it some story-telling atmosphere. The new colourisation, a lengthy time-consuming process which delayed the release until pretty much the end of the WHO DVD run, is a visual marvel, done with the best available technology. Episodes One, Four to Six show the best overall quality, though the middle episodes regrettably have some so far uncorrectable streaking problems. However, colour detail pulled out in the best sequences-especially within the prison interiors- is very good. Full marks to Stuart Humphryes, Jonathan Wood and Peter Cricker for all their dedicated efforts, and to stalwart Mark Ayres for the audio restoration.

Beyond the huge behind the scenes work, the overall extras accompanying the release are solid if not quite as expansive as previous releases. There’s a big-time audio commentary from Katy Manning, Pik-Sen Lim, Fernanda Marlowe (who played UNIT Corporal Bell in several Season Eight adventures), Timothy Combe, Barry Letts, Terrance Dicks and Derek Ware that proves a rewarding listening experience, moderated by Toby Hadoke.


Barry Letts, Fernanda Marlowe and Pik-Sen Lim, with Timothy Combe, return to Dover Castle in The Military Mind documentary.

But the standout is the all-new documentary, The Military Mind, taking many of the cast and crew back to Dover Castle for some happy (and not so happy) reminiscing (a then and now look at the location is also included as a separate featurette). Contributors here include Nicholas Courtney and Barry Letts (recorded several years before their sad passing), Pik-Sen Lim, Fernanda Marlowe and Timothy Combe. Combe once again proves very enthusiastic about his time on WHO and his sadness at not doing more directing for it shows through at the end. Another fine production from producer/director Chris Chapman.

From the archives comes an intriguing 24 minute day in the life documentary from 1971 on the now sadly defunct BBC television Centre, at its iconic powerhouse drama and comedy making best (shot at the same time that WHO’s eighth season was continuing studio production). It’s a fascinating slice of nostalgia from a time when TV, in the days before iPlayer and DVD recorders, really did mean something to its audiences.
 
The Keller Machine wants your mind!

PDFs of the RADIO TIMES and a 1971 Kellogs Sugar SmacksWHO promotion are there for downloading, there’s a surviving off-air recorded voice over trailer for the story from 1971, a photo gallery of mostly BW images, and production info subtitles that shore things up. And there’s a spiffing trailer for the next Jon Pertwee release- the all-film Blu-ray release-a first for the Classic Series- of his debut adventure against the plastic-loving Autons menace, in Spearhead from Space!

KOOL TV RATING: Exciting and efficiently made, The Mind of Evil is another genuine All-Time Classic WHO making its brain-drain presence felt on DVD. Overall rating: 4.5 out of 5

Get hold of The Mind of Evil here:

The recent BFI screening of the story with a lively cast and crew talk: Doctor Who: The Mind of Evil Event - YouTube