Friday, April 27, 2012

KOOL TV CLASSIC IMAGE: 'SAPPHIRE AND STEEL' HAVE BEEN ASSIGNED...

Into the unknown: Joanna Lumley and David McCallum are SAPPHIRE AND STEEL. Images: ATV/ITV/NETWORK DVD.

Making a striking and attractive duo, Joanna Lumley and David McCallum excelled as the inter-dimensonal detectives investigating time break-ins, within the inspired ATV sci-fi/supernatural/horror drama serial/series created by the late P.J. Hammond: SAPPHIRE AND STEEL, which originally ran from 1979 to 1982 on the ITV channel, and is still very much beloved and remembered by those who watched its premiere transmissions.

I never quite understood what the series opening titles narration actually meant but I do remember often being scared out of my wits by the shows tea-time horrors and generally all-consuming and prevailing creepy atmosphere- apparently a format born out of the need by the ITV network to quickly and suddenly fill an unexpected gaping hole in the TV schedules of the time-which captivated me and my family on a twice-a-week basis, where the concept of time, and the things created from it, would emerge as a dark and corrupting power when it went into imbalance through accidental causality from an unwitting human race, and creating highly dangerous scenarios that had to be put right by our dependable, if not always totally victorious, Time Agents-the beautiful and comforting Sapphire, possessing telepathic and sensory abilities as well as being able to take current time back minutes or seconds, played by the always charming ex-NEW AVENGER Joanna Lumley, and the intimidating and resourceful Steel, played by ex-MAN FROM UNCLE star and current NCIS'er David McCallum. Here was a true combination of mystery, beauty, brawn and intelligence as they found themselves caught up in numerous dangerous environments within the six stories that spanned their excellent run. The first saw a house of clocks being a target for time infiltration, with two young children caught in the crossfire, the second-my favourite-a disused railways station which saw one of its dark patches feeding on the suffering of the dead from the first two world wars, the third within a futuristic time capsule invaded by a time-possessed animal hybrid, the fourth a photographers studio flat, where a deadly creature manages to hide within photographs and literally send its victims into them, the fifth set within an Agatha Christie-style murder mystery mansion linked to a virulent, genetically engineered disease outbreak, and finally a seemingly no-win scenario for our heroes where, within a time-trapped garage/layover cafe. they fight rival time agents who have decided that the duo have become too powerful and influential for their own good, and need to be removed once and for all...

Title sequence: Sapphire and Steel - TV intro HQ (1979-82) - YouTube

Lumley and McCallum pose for a first season publicity image.

Despite the mostly all-studio shot nature of the series, SAPPHIRE AND STEEL, always played with conviction, well-written by the likes of Hammond, Don Houghton and Anthony Read, and produced with verve by Shaun O'Riordan (who also directed, along with David Foster), would be acclaimed for its terrific atmosphere (helped my Cyril Ornadel's music that was sparingly and effectively used to build on the scares), backed up with very good for their time special effects and excellent classic DOCTOR WHO-esque cliff-hangers. Not all the stories ended happily, either, which was a rare thing for the TV drama of the time, and some had terrible consequences-with Steel often proving himself a ruthless, often cruel bastard, not only in his dealings with corrupted Time but Humanity as well (much to the occasional disappointment and anger of Sapphire)- indeed the conclusion of story two is an absolute shocker and darkly morbid, adding to the overall quite adult sequences in the series that belay its family timeslot.

The classic UK TVTIMES magazine cover heralding the shows arrival in 1979. Image: TVTIMES.

Spawning a novel, a one-off children's annual and a very popular colour comic strip spread within the  bright and breezy pages of LOOK-IN magazine, SAPPHIRE AND STEEL ended on a brilliant cliffhanger that was sadly never resolved (due to escalating production costs, the reorganising and re-sttructuring of the ATV company, and the growing inability to get the popular actors together for specific filming time-frames), though it status as one of the UK's best ever cult sci-fi/horror series lives on in its numerous satellite screenings over the years, as well as releases on VHS and DVD...


The series is currently available on DVD from NETWORK.

Thursday, April 26, 2012

KOOL TV REVIEW: 'THE VIEW FROM THE BRIDGE - MEMORIES OF STAR TREK AND A LIFE IN HOLLYWOOD', BY NICHOLAS MEYER

To Boldly Go. Nicholas Meyer recalls his continuing work and life related to STAR TREK and Hollywood in THE VIEW FROM THE BRIDGE. Images: PARAMOUNT.


THE VIEW FROM THE BRIDGE: MEMORIES OF STAR TREK AND A LIFE IN HOLLYWOOD


By Nicholas Meyer

Published by PLUME books

Reviewed by Scott Weller


The last person you'd expect to save the STAR TREK movie franchise from extinction back in the early eighties would be a film director with only one previous and middling successful film behind him, possessing very little interest in the science fiction genre or even STAR TREK, but ex-publicist, NEW YORK TIMES bestselling author and passionate film-maker Nicholas Meyer would ultimately be that man, not only saving it but also creating an enduring and populist Box Office legacy that continues to sustain itself to this day-his writing/directorial work on STAR TREK II: THE WRATH OF KHAN, still unsurpassed in my book, guaranteeing him his deserved place in both sci-fi and movie history. Going on from his Horatio Hornblower inspired re-vamp of the format to co-write the ever popular family favourite time-travel epic featuring those beloved whales George and Gracie: STAR TREK IV : THE VOYAGE HOME (then the most successful movie of the franchise in 1986 and whose popularity would see in the TV launch of a new TREK series: THE NEXT GENERATION), and co-conceiving, writing and directing the final adventure for the original classic starship Enterprise team led by Captain James T. Kirk and Mister Spock: THE UNDISCOVERED COUNTRY, giving the ageing but no less inspiring cast the triumphant adventure/lump in the throat goodbye send-off they deserved, Meyer's enthusiasm, dedication, all-round talent and ingenuity have firmly left their mark alongside the name of the series original creator, Gene Roddenberry, and four time movie producer Harve Bennett.

Writer/director Nicholas Meyer. Image: ULIKE.

Recalling the best of times, and also the occasional worst of times within his career, both TREK and outside of it, Meyer recently penned a charming, intelligent and very amusing look back at his life and work in the ever-changing fortunes of war that is the movie industry. THE VIEW FROM THE BRIDGE is a lovely look back at a Hollywood that sadly no longer exists, as Meyer, a talented visualist from childhood and a long time lover, nay absorber, of movies and literature, makes his first naive but successful steps as a movie publicist, then bringing his love of Sherlock Holmes to literary life with two best selling original adventures in the early to mid-seventies-The Seven Per Cent Solution (made a year or so later into a film with Nicol Williamson and Robert Duvall) and The West End Horror-both excellent books I heartily recommend-then finally making the big gamble, leaping in to film-making, with the critically acclaimed and highly enjoyable cult H.G. Wells in modern days thriller: TIME AFTER TIME, a  movie directing spring board which, by luck (which Meyer would fortunately be blessed with a lot over the years (as well as knowing the right people at the right time)) led him to the famed gates of PARAMOUNT STUDIOS and onto the bridge of the equally legendary starship Enterprise. Along the way, Meyer fondly recalls the trials and tribulations, privileges and sacrifices large and small that he has made in his life and career path-the good friends he would establish a long-time bond with and the worldwide destinations he has visited, loved and occasionally loathed in both his work and reality.

Meyer directing William Shatner in STAR TREK II: THE WRATH OF KHAN.
With a make-up disfigured Ricardo Montalban on the STAR TREK II set.
Conferring with Leonard Nimoy and William Shatner on STAR TREK VI: THE UNDISCOVERED COUNTRY.

Refreshingly not a bitching piece, Meyer's prose is funny, warm-hearted and nostalgic, yet also combined with a realist and practical sensibility about life in the movie industry-a place not for the feint-hearted, but a career avenue which can, occasionally- when the rights chemicals combine, produce emotionally satisfying artistic endeavours and monetary reward. Containing the occasional surprise, this film autobiography is highly informative and a page turner that you won't be disappointed with. Backed up with a lovely section of B/W career and occasional life/family photos, including lots of nice behind the scenes images from his three STAR TREK movies, A VIEW FROM THE BRIDGE is a solid and entertaining book I heartily recommend, and one that TREK fans in particular will find an essential purchase.


KOOL TV RATING: 4 out of 5


Meyer talks about his work here: FORA.tv - Nicholas Meyer: Memories of a Life in Hollywood


Check out the book: View from the Bridge, The: Amazon.co.uk: Nicholas Meyer: Books

Great Fan Trailer for Meyer's STAR TREK II: THE WRATH OF KHAN: The Wrath of Khan HD Blu-Ray Trailer - YouTube

Wednesday, April 25, 2012

CONTINENTAL DIVIDE! 'BRAQUO' SEASON TWO

Living on the edge: the anti-heroes of BRAQUO. Images: STUDIO CANAL/FX.

Having tried, and mostly failed, to keep within the ever changing blurred lines of modern-day law and order, and despite often noble intentions whilst keeping their own inner loyalties and personal codes intact, it looked like the end of the line for the SDPJ squad of the hit French police thriller series BRAQUO-think THE SHIELD and THE SWEENEY combined, but with added seediness!- led by the grizzled, world weary but compelling Jean-Hughes Anglade (to me a continental version of Roy Scheider) as Eddy Caplan, whose tough but likable quartet (including Joseph Malerba as bald and bulky Walter Morlighem, Nicolas Duvauchelle as the always on the edge of drink and drugs annihilation Theo Vachewski and Karole Rocher as the vulnerable but loyal Roxane Delgado) found themselves at the end of the critically acclaimed first season in just about the worst life/career positions possible: their more corrupt and slimy superiors finally victorious in demolishing the team and what remains of their already tarnished reputations. Starting on FX UK HD from Sunday April 29th, the intriguing and surely more ambitious second season begins with Caplan put on remand, whilst the rest of the squad, either demoted or fired, are tested to their fragmented emotional limits. But when 12 people are killed in a brutal and bloody armed robbery linked to gold bullion, its culprits revealed to be four ex- mercenaries out for revenge against the people that previously set them up, the grungy but dedicated gang are soon back in action, dispensing their own unique brand of head-busting crime-fighting, determined to bring down what will be their most formidable and vicious adversaries yet (whilst also still locked in battle against old enemies, too) and also surely taking a share interest in the captured spoils...

Specially shot Season Two trailer: Braquo Season 2 Teaser, Premieres on April 29th at 10pm on FX - YouTube

Jean-Hughes Anglade is superb as the in-it-up-to-his neck Eddy Caplan.

Created by relatively new French film and TV visionary Oliver Marchal, a former policeman himself, who brings a tough and uncompromising sensibility to it all-effectively filmed on the streets of Paris, alongside a fine ensemble cast, its no surprise that US TV will shortly be making their own version of this compulsive series.

Check out the UK FX site here: About - Braquo - Shows - FXUK


Series One of BRAQUO is now available on DVD and Blu-ray from STUDIO CANAL

Tuesday, April 24, 2012

KOOL TV REVIEW: 'WAR OF THE WORLDS' - THE COMPLETE FIRST SEASON

Back from the dead, alien invasion plans begin anew in WAR OF THE WORLDS, finally out this month on UK DVD. Images: CBS DVD/REVELATION FILMS.

Those pesky alien critters from Mars just can't take a hint and die after their first, ultimately failed invasion of Earth in 1953. Now, accidentally awakened by a gang of nut-job Human terrorists, the slimy, three pronged fingered, one-eyed beasties have been resurrected from their petrol tank storage containers and are more deadly than ever, planning further subtle, if no less vicious, new ways to take over Earth society, in a frightening, underground war of terror campaign. Only a small team of American and international scientists, alongside a crack military group: Delta Force, stand in their way, as the WAR OF THE WORLDS begins again in a newly released to the UK, six-disc, first season box set to be enjoyed from CBS DVD/ REVELATION FILMS...

Humanity's last hope: Colonel Paul Ironhorse (Richard Chaves), Dr. Harrison Blackwood (Jared Martin), Norton Drake (Philip Akin) and Dr. Suzanne McCullough (Lynda Mason Green). 

Fans of the original 1988/89 series who recently saw the first season in reruns on the UK's HORROR Channel last October will be pleased to know that the 24 episodes comprising the first season of this very enjoyable sci-fi/horror hybrid have not been butchered for some of their alien gore or violence content, as they were when previously shown on TV in a mid-evening time slot. There's also no special features, I'm sorry to say, but the picture quality of the video copies is of a better standard than we've seen previously, as is the sound mixing, making these the best quality copies of the series that you're going to get. (There's no way the show will ever be released on Blu-ray, though, unless the entire series is completely and costly restored: WAR was originally made on high quality 35mm film but converted to inferior video so as to make it easier for the series effects men to add their optical work: a process that was also applied to PARAMOUNT's other then starting out new sci-fi series, STAR TREK: THE NEXT GENERATION.)

Opening titles: War of the worlds season 1 opening - YouTube
Season One promos: War Of The Worlds Season 1 Promos - YouTube

Check out our other feature on the series and its cast: THE ENEMY WITHIN! THE RETURN OF "WAR OF THE WORLDS"

Protected from Earth's radiation, the evil Advocacy.

Here's a look at KOOL TV's favourite episodes from the Year One box set:


THE RESURRECTION. (Two-part pilot episode) The newly awakened aliens gather up the first of their infected and possessed kind to steal the remaining three fully intact, original Martian war machines that have been stored by their human enemies in a remote AREA 51-type military establishment. Dr. Harrison Blackwood (Jared Martin), Suzanne McCullough (Lynda Mason Green) and the wheelchair bound computer-whizz Norton Drake (Phil Akin), teaming up with Colonel Paul Ironhorse (Richard Chaves), are soon on the aliens trail, but will they be too late to stop the re-launch of the invasion? A very enjoyable, if sometimes a little slow, first episode directed by Brit Colin Chilvers, with some memorable gore and action, plus a worthy finale with the George Pal created alien ships from the 1953 movie being spectacularly recreated for the new series.


THY KINGDOM COME. Blackwood and co. race to Canada to stop the aliens releasing more of their unstable brood from a craft entombed under a lake. Some creepy finale scenes as kidnapped humans are taken over by water emerging aliens.


A MULTITUDE OF IDOLS. Our heroes are followed by an ambitious investigative journalist, of which their infiltration into an alien infested town soon becomes a life or death struggle. Nice ideas, nothing new, but again some fine creepy moments.


EYE FOR AN EYE. When a local town celebrates the 50th anniversary of Orson Welles legendary fake Martian invasion broadcast, the team discovers that a real First Contact/invasion event really happened in 1938, and that the aliens are now planning to resurrect another buried scout vessel! A clever, well-written script and solid guest cast make this one of the best episodes of the first season.


Suzanne confers with a relaxed Harrison prior to the aliens re-emergence.


THE SECOND SEAL. Harrison and Suzanne go deep into the archives of a top secret military installation to find lost and highly important information and technology about the aliens, unaware that the base commander (MISSION: IMPOSSIBLE's Greg Morris) has now been infected and is leading his own race against time search. Enjoyable action episode, with a bit more development on the aliens, and some fine heroics from Colonel Ironhorse at the end!


AMONG THE PHILISTINES. The team add a new recruit: an animal linguistics expert who claims he's made a breakthrough in unlocking the mysteries of the way the aliens communicate. But is it all too good to be true? Easily one of the shows best episodes, with an exciting climax, and a death in the family.


HE FEEDETH AMONG THE LILIES.  Overall a pretty grim episode about the aliens abduction of humans for experimentation. Harrison falls in love with one of these tragic, emotionally devastated victims, but we all know that it isn't going to end happily!


THE MEEK SHALL INHERIT. Recognising their status as being ignored and left to go about their own way, the aliens see that infiltrating the Humans homeless population is an inspired way to continue their invasion and sabotage efforts, but they've reckoned without the abilities of the alien aware, mentally unstable Sylvia Van Buren (Ann Robinson), Harrison's step-mother, entering into a friendship with a recently abandoned girl who has first hand witnessed the aliens that are now walking the streets. An interesting, well-made and atmospheric episode with an enjoyable finale on the streets of snowy Vancouver.


UNTO US A CHILD IS BORN. Probably one of the series grossest and most scarily effective episodes, as our heroes cordon off a hospital and begin a search for an alien possessed, pregnant woman about to give birth: the first human/alien hybrid who may have the answers that the dreaded creatures with the built-in resistance needed to survive the effects of the Earth's atmosphere and radiation.


Tense times ahead for the series most popular character, Paul Ironhorse, as played by PREDATOR's Richard Chaves.


VENGEANCE IS MINE. It's a cliched plot but the episode shines overall due to the presence of Chaves as Ironhorse, when he's captured by a vendetta fuelled human who wants revenge against him for the death of his fiancee during an alien skirmish.


THE RAISING OF LAZARUS. Cut off by a hostile snow/weather front, the team are stranded on a remote military base housing vital alien technology, unaware that one of their top scientists (Nicolas Coster) has been experimenting and injecting himself with unstable alien blood, turning him into a dangerous mutation. Another variant on the classic THE THING, but its atmospheric and, in places, a reasonably exciting penultimate episode to the series.


THE ANGEL OF DEATH. Action packed, if plot bonkers, finale, in which a female robot warrior who looks like she's escaped from an eighties discotheque- Katara, from the planet Qar'To- arrives to help Harrison and co, in a last stand battle against the aliens. The series ends on a positive note as Humanity gains a new friend... 


KOOL TV RATING (OVERALL EPISODES): 3.5 out of 5


Finally available on UK DVD! WAR OF THE WORLDS: THE COMPLETE FIRST SEASON.


Get hold of WAR OF THE WORLDS: THE COMPLETE FIRST SEASON here: War Of The Worlds: Season 1 [DVD]: Amazon.co.uk: Jared Martin, Lynda Mason Green, Philip Akin: Film & TV


Season Two will also be released in the UK shortly.

Monday, April 23, 2012

KOOL TV BABE OF THE WEEK: 'ALCATRAZ's PARMINDER NAGRA

Footballer, doctor, now scientist: the delights of actress Parminder Nagra continue. Image: ULIKE. 

She's bent it like Beckham and saved lives within the busy and tumultuous world of a top Chicago hospital ER, now lovely British actress Parminder Nagra continues her rise up the Hollywood chart planting one stiletto into the past and the other firmly in the present as the time jumping and mysterious psychoanalyst and scientist Dr. Lucy Banerjee, investigating the emerging dark and dangerous secrets of ALCATRAZ and its inmates within the titular hit FOX series.

Football crazy! Parminder and Keira Knightley in the UK indie-film hit BEND IT LIKE BECKHAM. Image: ULIKE.
And as the talented but often beleaguered Dr. Neela Rasgotra in ER. Image: WARNER BROS.
Within these walls... Parminder as Dr. Lucy Banerjee in ALCATRAZ. Image: FOX.

Shot down by an assassin early on in the series, and in a decades spanning relationship with her boss,    FBI agent Emerson Hauser (Sam Neil), who was one of the few prison guards on the once island containment facility who didn't mysteriously disappear in 1963, does the still youthful Banerjee have the answers to the evolving mystery buried deep down somewhere in her subconscious? Seemingly more cold-hearted in the present, is she truly friend or foe? Keep watching this enjoyable mystery, now showing on the UK's WATCH HD channel, which carries on from the fine, if often baffling, tradition of LOST. And let's hope for a season renewal, too!

Friday, April 20, 2012

KOOL TV REVIEW: 'AVENGERS ASSEMBLE'


Magnificent Seven! The cast of THE AVENGERS. Images: MARVEL/DISNEY/PARAMOUNT.



MARVEL's 'AVENGERS ASSEMBLE'

Starring Robert Downey Jr., Chris Evans, Chris Hemsworth, Mark Ruffalo, Samuel L. Jackson, Scarlett Johansson, Jeremy Renner, Tom Hiddleston.

Written by Joss Whedon and Zak Penn
Directed by Joss Whedon

Out in UK cinemas from April 28th, from MARVEL STUDIOS, in association with DISNEY.
Out in US cinemas from May 4th.

UK Certificate: 12A


Reviewed by Scott Weller

NOTE: Contains possible plot spoilers

After years of anticipation, “Earth’s Mightiest Heroes”- THE AVENGERS- finally assemble, within a crowd-pleasing and exciting big-screen collective that will not only make fans of the long-running Stan Lee and Jack Kirby created MARVEL comic series proud, but also have them excitedly clamouring for more, more, more: pleasing music to the ears, and the bank balance, for the company’s always ambitious, risk-taking feature film empire, which, with George Lucas surely as its inspiration, will wisely and surely spread its profit coffers into even bigger and better superhero projects to come…

Despite the glorious reviews now coming in, though, AVENGERS ASSEMBLE, prior to its release, and despite the line-up of actor talent/on-screen heroes, as well as the popular cult TV/film director Joss Whedon assigned to the project, was a risky poker gamble initiated by MARVEL. If it hadn’t have worked it could have sunk the relatively new studio or at the very least crippled it, killing off a highly anticipated team franchise, and possibly even curtailing, or even ending, some of the planned future adventures for some of its previous characters. Fortunately, for MARVEL, for Hollywood, heck, the world cinema audience, this first film is a veritable triumph and tribute to their unique universe, and its inspirational comic book writers and artists that give it such iconic life. AVENGERS ASSEMBLE (as its known in the UK) is a glorious triumph that actually lives up to its superb teaser trailers, with my weighty expectations- having grown up reading the comic series addictively between the ages of 7 and 17 years old- exceeded for the most part.

Primarily a much beloved figure of the TV industry, with populist genre shows like BUFFY THE VAMPIRE SLAYER, ANGEL and DOLLHOUSE under his belt, as well as the axed before its time sci-fi western/friendly STAR WARS homage, FIREFLY, all of which mixed comedy and adventures with mostly ensemble casts, I have to say that I’ve never really been a convert of Whedon, whose sometimes over-rated works I’ve always found bordering on great but often highly derivative. But, with AVENGERS ASSEMBLE, he proves the perfect choice to helm this densely packed project. Watching the bigger-than-life tale unspool, you can see that it was in this mans destiny-nay, his genetic make-up- to handle its gargantuan requirements, which ultimately not only has clever characterisation, ingenious moments and sterling and incredible action that will get audiences hearts pumping, but also has a lot of heart and humour so lacking in many of today’s thoroughly modern blockbusters. With the huge shopping list of responsibilities in bringing such legendary characters together, it could all have been a huge burden on any other normal directors shoulders. Fortunately there’s no sign of such Olympian pains from Whedon, the luckiest of kids within the ultimate candy store, who breezes through the project with seemingly skillful ease, alongside a fine ensemble cast and first rate technical wizards, backed up keeper of the MARVEL cinematic brand, producer Kevin Feige, all of whom treat the material with the greatest of respect and enthusiasm that it deserves.


Lets be honest here, there is nothing basically original at all with AVENGERS ASSEMBLE’s main plot, with its thinly developed cannon fodder aliens from another dimension breaking through and bringing about the kind of carnage that the Michael Bay and the TRANSFORMERS would be envious of. And it has some overly done but required exposition, too, in its opening half that needs to be addressed for potential first time audiences who haven’t seen the previous IRON MAN, HULK, THOR and CAPTAIN AMERICA lead-ins, but overall the whole thing is done with such a great sense of joie de vivre that renders such niggles moot. It's simply invigorating to watch and I was laughing and smiling in all the right places and caught up in the sheer fun and entertainment of it all.

Determined to keep Earth safe: SHIELD agents Nick Fury (Samuel L. Jackson) and Maria Hill (Cobie Smulders). 

Even with such grand scale storytelling, though, it all-importantly starts small: with a little box-well, a little box that’s also of alien origin-the Tesseract, also known as the Cosmic Cube- seen earlier in both CAPTAIN AMERICA: THE FIRST AVENGER and THOR, that possesses a seemingly inexhaustible energy supply ripe for adaptation not only to power Earth’s finite resources but as a massive military weapon to be used against any future outer space aggressors that may land on their doorsteps. Unfortunately, such aggressors are soon arrived before such harnessing is primed, namely in the form of the snarling and embittered Asgaardian exile, and brother (well, adopted brother) of the mighty Thor: Loki, as played once more with posh conviction and calculated cunning by Tom Hiddleston, who, in master manipulator mode, wants the Tesseract so as to launch a massive terror striking invasion of Earth, and its human plebs, with a mysterious and legion army, in a thin but ultimately intriguing plot with shades of a villain behind the villain, Phantom Menace-esque overtone that comes into its own by the films finale scenes (more on that later).

The perfect modern choice to play Nick Fury, supreme agent of SHIELD (which, with all its high-tech agents and gadgets has a bit of a modern JAMES BOND feel about it), and one of Earth’s earliest beach-head resistors, Sam Jackson continues to solidify his reputation as an actor/icon as the eye-patched warrior, kicking the film’s first quarter off in a lively way, as the story then leads into the gathering of the at-first shaky AVENGERS INITIATIVE, a very tricky and head-butting first meeting/collision of contrasting personalities, against the emerging terror of Loki. By Fury’s side, and seen across four films, is the sometimes sly, often vocally clipped, but always formidable Agent Coulson (always nicely portrayed by Clark Gregg), who goes on to play an important part in the movie and acts as a catalyst for what happens later in the story with our heroic group. He’s also pretty fearless in once very cool scene, using big and untested weaponry against the most dangerous of baddies!

Back in the saving humanity business: Robert Downey Jr. is Iron Man.

Helping SHIELD in the fight back, and back in the red and yellow metal suit of Iron Man, is Robert Downey Jr., the acting/charisma glue that holds the film together at all the right times, saying Whedon’s often cracking one liners with confidence and mixing humour and drama with the same vitality he had in his prior solo films. The actor clearly relishes this successful venture and obviously a key behind the scenes player in helping to make the film and his character such a noteworthy reality. In many ways, despite Iron Man/Tony Stark being part of the ensemble, this gathering proves a better showcase for them than the previous IRON MAN 2!

The God of Thunder, Thor (as played by Chris Hemsworth).
The Incredible Hulk (Mark Ruffalo) and Hawkeye (Jeremy Renner) stand ready.

Downey is clearly the star here, but only just, as all the other dedicated AVENGERS heroes alongside him get some terrific moments in the spotlight, particularly Chris Hemsworth’s this time around, rather more serious, but still magnificent, God of Thunder: Thor, and Mark Ruffalo as a surprisingly good David Banner/Incredible Hulk who, separately and together with Hemsworth/Thor, almost steal the limelight from him in one particular noteworthy scene of high action and comedy that positively had the advance screening audience for the movie in positive hysterics and claps of brilliance. The rampaging not so jolly, green-skinned Hulk finally gets an on-screen appearance worthy of his comic book genesis- a monster marvel who will delight audiences in ways that had been lacking in his first solo movie vehicle from director Ang Lee. His/it’s eerie first transmutation, rampaging through SHIELD’s impressive sky base in pursuit of the Black Widow is terrific, followed by a fantastic Hulk-Smash! spree against the alien hordes later on.

A true hero of the star-spangled banner: Captain America (Chris Evans)

Just as Thor’s mighty hammer is kept busy busting multitudes of alien heads, so too is the equally iconic and trusted stars and stripes super armoured shield belonging to the equally noble and patriotic Steve Rogers, aka Captain America, as played by the always likable Chris Evans, an actor with the talent to bring some class, dependable heroism and dignity to the square jawed, once World War II hero/icon character-a favourite hero of mine since I was a kid, who ultimately becomes the true leader of THE AVENGERS, rallying the troops and producing the leadership core that turns them into a fully fledged fighting force of power and instinct. Previously awakened from his icy tomb of the 1940’s, I think the fish out of water aspects of Cap in his new time frame could have been played with a little longer (in the kind of tradition that had been previously done by Gil Gerard as Buck Rogers), but with so many characters and expectations to fulfill, something had to go. Perhaps all that will be on the upcoming film’s immense 30 minutes of deleted scenes on September’s Blu-ray /DVD release?

Don't mess with the Black Widow (Scarlett Johansson).

Not superheroes, but extremely adept at what they do with their physical talents, Jeremy Renner is a welcome full-time character addition to THE AVENGERS as the crack-shot archer with the potent arrows, Clint Barton aka Hawkeye, since his earlier, blink and you miss it cameo in THOR, who also works well with modern-day sex symbol Scarlett Johansson. Looking great in 3-D, the actress also gets a chance to bring a bit more life to her role of ex-Russian agent/now SHIELD super-spy Natasha Romanoff, aka The Black Widow, thanks to the kind of positive characterisation injection that Whedon has given his trademark women heroes since his days shaping BUFFY. Oh, and she kicks great enemy butt, too, especially in one impressive air-chariot combat sequence!  

The evil Loki (Tom Hiddleston) wants Earth!

Against such an incredible pooling of heroic power, Tom Hiddleston’s Loki emerges as a satisfying primary villain, as he and his alien invading buddies make the most of the unusual and power building qualities of the Cosmic Cube. Though it’s a shame that Cap’s nemesis, the Red Skull, previously played by Hugo Weaving, couldn’t have made a long-rumoured appearance in this film, too. He’d have made a brutal and finely matched pairing with Loki against our colourful heroes.

Amongst the mayhem and explosions, its nice to see lot of other references to the MARVEL universe of film characters, with fun cameos from Gwyneth Paltrow as Tony Stark’s resident Girl Friday, Pepper Potts, and the always reliable Stellan Skarsgard as top scientist, Erik Selvig, from THOR. There’s also some nice film/TV genre cameos to look out for that I won’t spoil, alongside supplemental support from UK actress Jenny Agutter and Powers Booth, now doomed to forever play corrupt politicians and businessmen, but, hey, he’s still great! And where would the world be without the ubiquitous cameo from the legendary Stan Lee, eh?

Some of the horrible alien horde attacking New York.

Even with such acting thrill-power, the film has a few sagging moments here and there in its first half which could have been tightened up, with Whedon visually showing some of his TV rather than filmic experience as a director, but such niggles vanish when the film builds towards its genuinely thrilling climax, as our gang takes on the alien armada as it tears across New York, most notably with their eel/manta ray-like war machines weaving and smashing themselves in and around the city’s ravaged skyscrapers, courtesy of incredible effect work primarily by ILM. (Nobody else does it quite like them when it comes to blockbuster effects, and this is more than worthy of their incredible and indomitable talents in what is the ultimate fan-boy project-surely making boss George Lucas ever more proud!)

Thor and Captain America defend New York.

Against a mighty and resilient main theme of steel and heroism from the always reliable Alan Silvestri-easily one of his best scores in a while-there’s also one long and exhilarating camera pass showing all of our heroes in their action prime, valiantly engaging the overwhelming hordes, that is genuinely inspired, and beautifully handled. A truly jaw-dropping moment of movie-magic that can only be really, totally experienced on an immersive, digital 3-D cinema screen!

Hulk smash!

By films end, and as the cinema audience broke into enthusiastic clapping, there was one last surprise with the unveiling of the next major villain to plague Earth’s Mightiest, possibly even sending them out into the depths of outer space: his/its appearance sending a shiver of eager anticipation down my spine; that one of MARVEL’s most memorable alien baddies will be unleashed sequel-wise not too long from now. I’m not going to reveal who, or what, it is, but the excited reactions on one young kid’s face as he left the cinema, after the revelation, said it all for me and how I felt at the oncoming storm ahead. I just can’t wait for AVENGERS 2!

AVENGERS assemble for the final showdown!

MARVEL’s most qualified success yet, I estimate that AVENGERS ASSEMBLE will easily make half a billion dollars at the box office this year, and that its presence will surely get up the goat of rival DC COMICS, who, with the modern exception of BATMAN and the possible popularity of their upcoming new SUPERMAN re-imagining, have not yet had epic success at translating their characters to the silver screen in the way MARVEL have. Their equivalent to THE AVENGERS, THE JUSTICE LEAGUE OF AMERICA, or the WORLD’s FINEST movie pairing of Superman and Batman that almost happened a few years back, will most definitely kick into development high-gear now, part of an era of the superhero that looks set to be around for a few more years yet!

The splendid Japanese poster for the movie release.

KOOL TV RATING: A fine cinematic template established for future group adventures. 9 out of 10

With thanks to DISNEY and its publicity teams for their help with this review feature.

Thursday, April 19, 2012

HIGH DEFINITION HEROISM! 'HUMAN TARGET' AND 'ALPHAS' RETURN!

Motorway madness! Mark Valley returns in HUMAN TARGET. Image: FOX

Good action heroes never go out of style, and especially not Christopher Chance, played with dependable charm and physicality by the likable Mark Valley in the popular US adventure/light comedy hybrid HUMAN TARGET. The shows unnecessary second season revamp may have ultimately killed it off with viewers, but this first season, back in HD reruns on the UK SYFY Channel from tonight, was a promising debut that's often great fun.

A new breed of heroes: Season One of ALPHAS. Image: SYFY.

Finally being shown in HD after some very iffy picture quality in its premiere digital run on the FIVE USA channel last year, tonight SYFY also welcomes its first season screening of the humans with superpowers series, ALPHAS, an intriguing new variant on the kind of ideas seen in the X-MEN films (if a little more realistic, and without the leathers), which will be a nice primer for the upcoming second season later in the year.

If anyone out there reading this hasn't seen either of these shows, they're well worth a look-in...

Wednesday, April 18, 2012

KOOL TV REVIEW: 'DOCTOR WHO: 100 SCARIEST MONSTERS'


Dare you look inside? DOCTOR WHO: 100 SCARIEST MONSTERS! Images: BBC CHILDREN'S BOOKS.



DOCTOR WHO -100 SCARIEST MONSTERS

Compiled and written by Justin Richards

Published by BBC CHILDREN'S BOOKS

Reviewed by Scott Weller

It’s a well known fact that five generations of DOCTOR WHO fans from childhood to adult (or even Kid-ulthood!) have always watched the show because they adore the series concept and the lead role of the exciting, time and space traversing Time Lord (in all of his eleven guises so far) as well as his multitude of accessible, spunky and equally brave companions. But, most importantly for the younger viewers often watching it on tenterhooks, they enjoy WHO because they like to be scared by the incredible and diverse monsters that our heroes encounter on a weekly basis (with mum and dad close by to reassure them if it all gets a little bit too scary for them), as their diabolically evil, often very carnivorous and decidedly ambitious plans are just about stopped by them with their courage and often spare of the moment ingenuity-a morality battle of good and evil wrapped up satisfactorily in forty-five minutes, or, as seen in the not too distant past, over four to six serialised adventurous episodes.

Now, uberWHO fan and keeper of its literary flame at BBC Books, Justin Richards, armed to the teeth with bags of Jelly Babies, a handy scarf to distract and topple over baddies, and a seemingly unstoppable Sonic Screwdriver, has braved the far intergalactic reaches of the galaxy to bring us a veritable cornucopia of the most revolting, mechanical, scaly, winged, dribbling, mutated, land and sea traversing creatures ever seen in the show-monsters of past, present and future, and of all shapes and sizes- for a fine and scary celebration that is DOCTOR WHO: 100 SCARIEST MONSTERS!

Perennial favourites like the Cybermen return...

And in its legend as the longest-running science fiction show in the world, WHO has certainly bred some of the most inventive and successful monsters ever conceived for the analogue and digital television age; many of its big-gun creations making lasting and terrorising impressions on family viewing in return performances, well-realised in such a way that they have become household fright icons, with lots of the series classic monsters undoubtedly from the shows second to fourth incarnation eras of Patrick Troughton, Jon Pertwee and Tom Baker: who can forget the sinister emotionless Cybermen, the green scaled Martian’s: the Ice Warriors, the plastic Auton killers, the squat, war-mongering Sontarans, or the cuddly but killing androids, the Yeti. Some creatures may only have made singular appearances but their vividness lingers in the mind’s eye (like the original versions of Jon Pertwee’s water-rising Sea Devils, the foetus-like Zygons (who may be returning to the show soon) and their Skarasen beast, the art deco VOC Robots of Death, the insect-like Wirrn, or eighties villains like the slithery and devious Sil, or the colourful bird/reptilians with designs on historical plague-ridden London: the Terileptils). With its invigorated rise to the top of the ratings charts from 2004 onwards, new enemies from the fertile minds of re-imaginors Russell T. Davies, Steven Moffat and the like have added to the impressive monster roster: CGI creations that flex their muscles and claws beyond anything ever conceived and capable from the classic shows effects departments, building on the originals firm and innovative for its time foundations. Modern WHO representations in the book include such gruesome delights as the memory forgetting inducers that are part of The Silence, the stone creepies that are The Weeping Angels (“Don’t blink!”), the infectious water creatures of Mars that are The Flood, the ravenous Slitheen, the warrior Sycorax, etc, etc. And let’s not forget human enemies like the classic and modern WHO series leaping Time Lord villain, The Master, who also gets a fine look in within its packed pages…

Dominating this historic monster-mash, though, must be the shows most iconic, seemingly unkillable, always coming back for more (despite often incredible defeats) pepper pots with x-ray laser blasters: the vicious and all-dominating fearsome residents of Skaro who have plagued the Doctor since his second story way back in 1963 and helped launch the show into being what it is today-the grand-daddy villains of them all: the Daleks. Created by Terry Nation and designed by Raymond Cusick, these emotionless killers still reign supreme: their eventual re-appearances over the years always much welcomed by fans worldwide, within tales that also become more ambitious and ground-breaking -their shrilling, merciless war-cry voices getting kids enthusiastically imitating them in the playground now as they did in the sixties prime. The Daleks are well represented within this book, in sections that are a worthy primer for their colourful and legion return later in the year; firmly getting us in the mood for the old and new designs coming back to wage war against the Doctor in the opening episode of Season Seven, from writer/producer Steven Moffat.

...whilst newcomers like The Silence are well showcased.

Beyond the Daleks, a few of my own personal monster choices from the Classic era sadly, and disappointingly, don’t make the book grade (like Jon Pertwee’s lethal Drashigs, or Peter Davison’s excellent Mara snake creature (recently given over a very effective CGI makeover in its DVD episode releases), but overall there’s truly something for everyone here, managing to successfully deliver and capture readers with its tentacled grasp with its wide cross section appeal.

Accompanied with brief but informative notes, stats and all-important fear factor ratings, the majority of the design spreads for the books are very good, often inspired (especially for some of the CLASSIC WHO monster sections), but some linked to the new series prove to be a bit of a mixed bag visually, smaller episodic imagery occasionally gets swamped or absorbed by overall too dark templates. Some of the selected monster images are also too firmly centred in the middle stapled area and damage their overall effectiveness. These designs surely looked great when seen in layout form on a computer or PDF, but suffer when seen in their finished printed form.  Still, I think it’s the adult buyers of the book who’ll be more concerned by such niggles rather than the intended younger reader audience that this book will clearly delight: they won’t have such concerns and will, no doubt, spend hours and hours fascinatedly pouring over the diverse and intriguing creatures just as older fans did with the now more basic looking DOCTOR WHO MONSTERS books that the great Terrance Dicks did for TARGET BOOKS in the mid-seventies. 100 SCARIEST MONSTERS continues the tradition and is a welcome purchase for any die-hard fans collection, too.

BBC CHILDREN'S BOOKS, keeping their fingers firmly on the pulse (or should that be shielding their jugulars?), have another accomplished tie-in winner. Firmly to be in the entrenched grip of young readers during the summer holidays and the return of the series to the Autumn BBC schedules, 100 SCARIEST MONSTERS is best read behind a sofa, peering over it with hands outstretched turnings its pages: a fine compilation and tribute to the series writers and production teams both old and new: the designers, the make-up and creature builders, and the great actors, who have brought them all to vivid reality: those weird and wonderful aliens, monsters and robots that have fascinated and terrorised us marvellously, and so potently, over the years, even more appreciated now as DOCTOR WHO approaches its all important, and iconic, 50thanniversary.

KOOL TV RATING: A fangs for the memory 8 out of 10


Check out our KOOL TV FACEBOOK photo gallery of old and new WHO monsters here: DOCTOR WHO-MONSTERS OLD AND NEW