Saturday, June 30, 2012

KOOL TV REVIEW: 'SHERLOCK HOLMES: A GAME OF SHADOWS' TRIPLE PLAY SET


Victorious Victorians! Robert Downey Jr. and Jude Law return as Sherlock Holmes and Dr. John Watson in SHERLOCK HOLMES: A GAME OF SHADOWS. Images: WARNER BROTHERS.


SHERLOCK HOLMES: A GAME OF SHADOWS

Out now on Triple Play Blu-ray, DVD and Ultra Violet Digital Copy

Starring Robert Downey Jr., Jude Law, Noomi Rapace and Jared Harris

Directed by Guy Ritchie

Released by WARNER BROTHERS DVD  

Reviewed by Scott Weller


A battle of wits, of move and counter move, and a true game of shadows emerges for our long enduring hero of deduction and super-intelligence, Sherlock Holmes, originally created by Sir Arthur Conan Doyle, and now breathed life into in his big-screen persona by the always amiable, played just this right side of all-knowing energetic charisma by the enthusiastic and crowd pleasing Robert Downey Jr., who takes the original version of the character and gives it a kind of shake-up experimentation that has proven to be cinematic gold, ably assisted by tweed suited Brit thesp Jude Law as Holmes best and really only loyal friend, the equally unique and stalwart Doctor John Watson, resisting the on-the-brink-of-insanity/genius of his comrade and often bringing him back to a much needed state of humanity after nefarious predilections for danger and excitement have passed. The character of Watson has now never been more important to Homes and viewers, and light years removed from the way that the role was perceived in a once traditional period as a lovable oaf/bumbling fool in earlier B/W incarnations.

Holmes and Watson are on the trail of a master criminal...

He previously had to contend with supernatural high jinx, with Mark Jones mysterious, seemingly death resistant gentleman of evil-like a Dracula without fangs- but now Holmes goes one step further in his criminal takedown: in pursuit of the true mastermind-“the Napoleon of Crime”- ultimately behind the first films insidious plot: a certain cane wielding gentleman named Moriarty…


Together against a formidable set of circumstances that will challenge and force them into the greatest of dangers, Holmes and Watson are caught in the deadliest of traps that will take them from their London comfort zone through to the cannon blasted trees of Germany and into Switzerland, for a dangerous new spin of the now infamous end to the literary Sherlock Holmes at the perilous precipice of the Reichenbach Falls. But can anyone really keep a good detective dead for too long? Certainly, Sir Arthur Conan Doyle couldn’t in the 1800’s: unable to escape the publics insatiable demand for the character and his adventures, and nether can the modern day film studios, whose box office receipts help keep them alive and well! God Bless You, Sherlock Holmes!

Trouble at a peace conference for Holmes and Madame Simza (Noomi Rapace)

Alongside our heroes, to both help and hinder, is a finely chosen international cast of the most hip ‘modern’ acting talent. Reaping the rewards of her critical and audience success as the gutsy and determined punk heroine, Lisbeth Salander, of Stieg Larsson’s gripping MILLENNIUM trilogy film adaptations, Swedish actress Noomi Rapace brings an intriguing air of mystery and quirky kookiness, along with a healthy dose of European attitude, in her supporting turn as the Gypsy Madame Simza, whom we first see as a fortuneteller in the seediest depths of London’s decadent Diogenes Club, though sadly she doesn’t have as much to do as I would have liked by film’s end, the part seemingly evaporating as it nears critical mass.

Completing the world of glamorous ladies present in the sequel, there’s also a brief cameo from Rachel McAdams as “the woman,” Irene Adler, whose intelligence and fortitude make her an individual of her gender beyond and belying of her times, after an equally enjoyable first appearance in the original 2009 movie, and who enjoys character dancing rings around the playful and admiring Sherlock, and a person almost his equal. But will her fortitude and strong will be enough to resist even Moriarty’s dangerous enterprises?
Captured by the "Napoleon of Crime", Moriarty (Jared Harris)

They say a hero is only as good as the opponent who challenges him and Jared Harris, as the films all-important villain, the equally iconic, darker flip side antagonist to Holmes: the black hearted opportunist of similarly keen intellectual prowess criminal mastermind, James Moriarty, is deliciously controlled, and quietly sadistic, giving the film’s heart a deliciously evil performance, making an impressive first appearance in Adler’s favourite safe house restaurant. Already adept at playing complex nasty’s, as seen with his work in the cult hit TV series FRINGE, Harris gives the material a bit of quality edge alongside the required cold-hearted villainy necessary to keep the film on course for a very satisfying conclusion and confrontation between two intellectual opposites, each desperately trying to outthink one another to their destruction.

Sherlock's just hanging around!

Better than anyone ever really expected it to be, the previous first film- SHERLOCK HOLMES-proved a resounding and delightful success with worldwide audiences, largely due to the performance of Robert Downey Jr., one lucky man who seems to be riding the highs of the Hollywood tropics right now, what with his additional and equally well-deserved success as millionaire industrialist/playboy Tony Stark and his metallic alter-ego of suited superhero Iron Man. A GAME OF SHADOWS continues that happy streak as the actor mixes the drama (Holmes skillful deduction and pitch perfect antagonism towards super-baddies) and the laughs (his newly initiated camouflage abilities and some hideous disguises) with skill. Though, Robert, a note for the next sequel: please don’t ever drag up again-it was waayyy too horrible!

Seemingly at times a suffering partner in crime, Law’s Watson is reluctant to join his friend in his cases due to his impeding nuptials with wife to be, Mary (Kelly Reilly) but soon gets down and dirty with his sleuthing adventurer partner and into the swing of things, as they try their darnedest to prevent the oncoming storm of a World War, whilst Mary herself loses her honeymoon and gets inadvertently involved in the oncoming danger, too, having now accepted the duo’s long-term “bromance” and giving up trying to rein her husband in, or telling Sherlock off for using her husband the way he does.

A real cannonball run for our heroes!

The kind of film that THE LEAGUE OF EXTRAORDINARY GENTLEMAN could, and should, have been, Michele Mulroney and Kieran Mulroney’s script amps up all the traditional and beloved Conan Doyle trademarks, characters, supporting friends, foes and classic moments for modern audiences to enjoy, and thankfully doesn’t take itself too seriously, either, but to its credit it also retains the necessary dangers and excitement to keep us wanting to find out what happens next between Holmes and Moriarty. In general, the plot is not quite so supernatural this time, with its stylish feet more welcomely grounded, possessing a kind of plausible unreality/reality to it all, perhaps a bit more cerebral, too, if you can call it that amongst all the pyrotechnics, bullet bangs and fist play that occurs every five minutes or so. Overall, it’s a spirited and splendid romp and an all too rare superior sequel, of which director Guy Ritchie gets great results from his aforementioned on-screen Downey/Law partnership, and keeps the visual flourishes afresh and intriguing, with the slow motion and high speed-up sequences of action and forensic flashbacks from the previous all-successful first Holmes movie, that had been so lively and enjoyable, reused to great effect, alongside action sequences and effects both exciting and cool whilst maintaining a consistent high standard.

Aiding Ritchie’s gaslight, garters and gunplay world is some lovely cinematography from Philippe Rousselot evocatively bringing out the Victorian era’s imperfect balance of decadence and poverty, moving into a new era of technology, scientific innovation and dark weaponry, through a nostalgic and relatively believable lens, keeping the tradition of the visual kind that previous Holmes movies liked to create and rely on, if here a little more stylized. Reliable composer Hans Zimmer also returns to his memorable themes of the last film using the unique instruments that keep to the period, alongside a few new additions, that tonally keeps the eardrums happy alongside the eye candy.

London's finest: Holmes and Watson.

On the extras side, the Blu-ray release has enough interactivity to keep the entertainment going long after watching the movie, most notably with the superb Robert Downey Jr. hosted behind the scenes interactive look/commentary for the film. The actors knowledge, charm and humour shine throughout in his role here as visual guardian of the movie, talking informatively and happily about all the kind of behind the scenes anecdotes and information you want to hear, alongside well integrated behind the scenes clips, cast and crew interviews, storyboards and photos as the film plays. It’s another triumph for the film and WARNER HOME VIDEO’s behind the scenes team and perfect complements the on-screen work of 221B Baker Street’s accomplished and indelible hero resident!

Delivering a deftly coordinated punch to the solar plexus of the entertainment bone, SHERLOCK HOLMES: A GAME OF SHADOWS is another intriguing variation of the detective legend and a great treat for movie audiences of all ages, which looks absolutely stunning in Blu-ray. It had some knocks from critics with its original theatrical release, but I say balderdash to all that and think it's definitely worth adding to your collection this summer. (And why not read and enjoy the original and wonderful Arthur Conan Doyle stories that inspired it at the same time!)

KOOL TV RATINGS

MOVIE: 8.5 out of 10
BLU-RAY EXTRAS: 8.5 out of 10

Get SHERLOCK HOLMES: A GAME OF SHADOWS here:

Sunday, June 24, 2012

GOODBYE, CAROLINE JOHN...

A happy Caroline John poses for a publicity photo in her 1970 debut as Dr. Elizabeth Shaw in DOCTOR WHO.  Images: BBC.

More sad news for DOCTOR WHO fans came this past week with the loss of one of the Jon Pertwee eras classic companions, as distinguished TV/theatre character actress Caroline John, well known in the legendary series as the one season playing Dr. Elizabeth Shaw, tragically passed away earlier in the month. She was 71.

A leggy Caroline poses for another promotional image.
The actress would enjoy her singular season stint with flamboyant leading man Jon Pertwee.

Liz Shaw would prove to be an important new companion to the Doctor in 1970, part of what was to be a bold and distinctive new colour re-invention of the series, which saw the Time Lord and his always malfunctioning TARDIS time/space vehicle confined to 20th century Earth in banishment by the all-powerful Time Lords. Helping, if sometimes reluctantly, his trusty friend Brigadier Lethbridge-Stewart and his military UNIT organisation fights various alien invasions and arrivals on Earth, as well as other strange forces, Liz Shaw, also prior reluctantly recruited as well, would work side by side with our alien hero on an equal scientific footing, as well as becoming firm friends in the adventures to come. Liz would prove a resilient, thoughtful and brave companion to the Time Lord through a series of four gritty QUATERMASS-style adventures that brought the series into more glossy, well made territory, full of drama, scary monsters and action at the start of a popular and iconic period often far removed, but no less enjoyable, to what had been seen before with William Hartnell and Patrick Troughton's monochrome eras.

The first seventies WHO "family": the Brigadier (Nicholas Courtney), the Doctor and Liz Shaw.

Surviving the first attack of the plastic controlling Autons, helping to discover the reawakened Silurian caves in Bedfordshire (and working against the clock to find a cure for their released killer plague), averting the abuse of captured powerful alien ambassadors from Mars, and then trying to stop the end of the world with the dangerous scientific drilling endeavour, helmed by a loony scientist, known as Project Inferno (Miss John's best performance in the series, playing two versions of her character: one her normal friendly self, the other a colder, more authoritarian alternate universe figure that was a member of an almost Gestapo-like military police), Shaw eventually went back to Cambridge to resume her original, all-encompassing scientific studies, and was quietly replaced the following season in the UNIT set-up by then new producer Barry Letts, who, with no disrespect to the actress (who at the time was also about to have a baby) or the Shaw character, thought that Pertwee and the series needed a slightly younger and more vulnerable, perhaps more audience accessible figure to identify with: the energetic and enthused (though also sometimes deliberately less resourceful) Jo Grant, as played by Katy Manning. Miss John would happily return to WHO for a welcome cameo in the shows 1983 Twentieth Anniversary story THE FIVE DOCTORS, playing a ghostly apparition version of Liz, as well as making an appearance in the 3D dramedy DIMENSIONS IN TIME for the 1993 CHILDREN IN NEED television event linked to WHO's later Thirtieth Anniversary celebrations.

John and Courtney would excel playing parallel universe versions of their characters in the classic story INFERNO.
The Doctor and Liz in their final story together: INFERNO.

Beyond the classic WHO series, of which she was also partaking in various DVD and audio projects (both fan based, licensed and official originated BBC titles) right up to her passing, Miss John was an acclaimed actress in world touring theatre and had appeared in many noteworthy UK TV series, too, including Tom Baker's memorable 80's BBC TV version of the SHERLOCK HOLMES classic THE HOUND OF THE BASKERVILLES, POIROT and MIDSOMMER MURDERS, and comedy series like HARRY ENFIELD'S TELEVISION PROGRAMME.

Quiet, seemingly sometimes reserved, but always a very friendly, enthusiastic and highly likable person, Miss John, survived by her husband, fellow actor Geoffey Beevers, and her three children, will be sadly missed by her family, friends, WHO fans and the acting community at large...

Saturday, June 23, 2012

AT HOME WITH THE BUNDYS! 'MARRIED...WITH CHILDREN'

Suffer thy family! The cast of MARRIED...WITH CHILDREN. Images: FOX.

Before the Griffins, before the Simpsons, there were the unforgettable dystopian, dysfunctional Chicago-based family that were The Bundys (comprising disgruntled with wife, his shoes sales job, America and everything, and loathed by everyone, including his family, dad Al (brilliantly portrayed by Ed O'Neill), equally frustrated with life and love mum, rock chick spendaholic "Big Red" Peggy (Katey Sagal), the girl crazy, Hugh Hefner entrepreneur wannabe son, Bud-often referring to himself by the name of Funkmeister B! (David Faustino), and incredibly dumb and lazy, get rich quick, teenage sex bomb Kelly (Christina Applegate, who certainly made an impression with male audiences everywhere right after the first episode!), experienced in the memorable, often downright brilliant, sometimes surreal, eleven season long domestic comedy series that was MARRIED...WITH CHILDREN, created by Michael G. Moye and Ron Leavitt, giving us our first real look at the warped and twisted side of the American Dream, as downtrodden and cornered Al has to try and cope with his demanding and unreliable family as well as the jibes and grievances from his neighbours (the demented husband and wife snobs, the D'Arcy's. (A special mention here to Amanda Bearse as the often demented Marcy- stern Republican, and true Al Bandy hater, who possessed a darkly deviant and sadistic side and seemed to become more of a loon with every season!) MARRIED... was basically everybody's worst nightmares about suburbia, and the people who live next door to you, made true. Anybody expecting LEAVE IT TO BEAVER was going to be in for a shock!

Title sequence: Married with children opening - YouTube
Clips: Married...With Children Minisodes - Desperately Seeking Miss October - YouTube
Married...With Children Minisodes - 976-Shoe - YouTube
Married...With Children Minisodes - Rock and Roll Girl - YouTube

Despite much critical disdain for the shows often comic book slapstick comedy, it's crude but often brilliant visual gags and sexual innuendo/ referencing, audiences loved the show worldwide and often rooted for/ sympathised with Al and his poor mans predicament within the tumultuous time of George Bush's America. A big hit for then relatively fledgling US FOX channel, here in the UK, I think only the first six or seven seasons we're shown in their entirety (I remember seeing it very late weekend nights on the LWT channel), before it found constantly moving day/time slot homes on satellite airings, right up to the point where a new member of the Bundy household (their surname not to be confused with that of the dreaded serial killer Ted Bundy!) was that little precocious punk kid Seven (Shane Sweet) -who soon proved unpopular with the behind the scenes writers and audiences and was written out as quickly as possible. The less said about him the better.

Al (Ed O' Neill), please don't even attempt to win the argument with Peggy (Katey Sagal)

How the series finally ended it's run I'll never really know. Did Al finally manage to have an afternoon in and finish watching his favourite film: John Wayne's HONDO)? Did we ever get to see Peggy's constantly troubled Ma Wanker (a very unfortunate name if you live in the UK), whom, I hear, came to stay with the Bundy's for a season? Did Bud ever get a lasting girlfriend? Did anyone ever realise how super-intelligent their dog, Buck (played by Michael, voiced by Steven Ritt), was? And did Marcy's head finally explode from all those inner-voices she was hearing?

Reuniting for a US retrospective for the shows landmark twenty-fifth anniversary this year (of which the original pilot episode was dusted down and got a deserved FOX channel re-airing), all of the cast have gone on to great and diverse careers since MARRIED ended, and the series, despite shifting trends over the years, and the stigma of its prior video-made, studio audience bound eighties pedigree, have remained consistently funny. There's even been several equally successful international versions of the show made in places like Russia, Germany and Argentina, so it looks like you can't keep a good Bundy down!

DVD promotional image for one of the US releases.

On the repeat side of things, MARRIED... has had a bit of a drought since it's last airing on UK TV, so here's hoping someone eventually picks it up in it's entirety in the not too distant future...


Friday, June 22, 2012

CELEBRATING THE TRIUMPHS OF 'GAME OF THRONES' SEASON TWO

The terrifying visage of a zombie-fied White Walker brings Season Two of GAME OF THRONES to a memorable and gripping close. Images: HBO.


NOTE: THIS FEATURE CONTAINS SPOILERS!

I can only use so many superlatives to describe how much I loved, and became further addicted to, the second ten episode season of HBO's GAME OF THRONES, and particularly relishing how it maintained its quality, drama and star power in matching, sometimes surpassing, what had been an exemplary prior first season. A CLASH OF KINGS, based on the illustrious and iconic work of George R. R. Martin, had pretty much everything you could ever want from a great and memorable TV series, and then taken up a notch!

A full review of this evocative and memorable year, as well as 2013's upcoming third adaptation, will appear on the KOOL TV site in the not too distant future. Instead, and as a nice teaser to all that eventual goodness, I'd thought I'd share some of my favourite images/moments from Season Two with you...

Despite the birth of her dragons, things did not go so well for Daenerys Targaryen (Emilia Clarke) and her faithful follower Ser Jorah Moromont (Iain Glen) at the beginning of the season.
Nightmare child! King Joffrey (Jack Gleeson) continued his rein of pubescent terror on King's Landing.
Acting as a boy, the fugitive Arya (a superb performance this year from Maisie Williams) and bastard Baratheon child   Gendry (Joe Dempsie) make an effective on-the-road pairing.
The mysterious shape changing assassin Jagen H'ghar (Tom Wlaschiha) made his impressive debut this season.
Carice Van Houten's witch Melisandre provided some creepy moments, too!
Warrior woman Brienne of Tarth (Gwendoline Christie) was a brilliant new addition to the series, especially as escort to Stark family prisoner Jaime Lannister (Nikolaj Coster-Waldau).
Theon Greyjoy (Alfie Allen) betrays the Stark family and takes Winterfell, deserving all that will hopefully come to him!
A sad but noble end for Maester Luwin (Donald Sumpter).
Trouble for Daenerys in the city of Qarth when she meets the warlock Pyat Pree (Ian Hanmore).
The Battle of Blackwater gets off to a spectacular start...
...and Tyrion Lannister (Peter Dinklage) shows true bravery despite terrible injuries.
Daenerys and her now fire breathing Dragons prove triumphant!
Out in the wilds of the North, our Night's Watch heroes (including Ben Compton and John Bradley) face new dangers. 
Jon Snow (Kit Harington) meets the infuriating Wildling, Ygritte (Rose Leslie). 

GAME OF THRONES Season One is available on DVD and Blu-ray (but get it fast, before the cut versions, minus the behind the scenes decapitated George Bush head in-joke that ultimately went badly wrong for HBO, replace the originals!).

Wednesday, June 20, 2012

KOOL TV REVIEW: 'DOCTOR WHO - THE KROTONS' DVD


The Second Doctor (Patrick Troughton) and Zoe (Wendy Padbury) fight a strange new robot race in THE KROTONS, a new DVD release from the Classic DOCTOR WHO range. Images: BBC.



DOCTOR WHO – THE KROTONS

A four-part story by Robert Holmes

Directed by David Maloney

Starring Patrick Troughton as the Doctor, Frazer Hines as Jamie, and Wendy Padbury as Zoe

Released on DVD by BBC WORLDWIDE from July 2nd, 2012


Reviewed by Scott Weller


I was there back in 1981 watching BBC 2’s glorious month long, four nights a week repeat season of THE FIVE FACES OF DOCTOR WHO, and, like millions of other fans, was wondering why on Earth the channel hadn’t selected a more classic and representative story for the supreme horror/comedy era of Patrick Troughton’s Second Doctor, like the hallowed TOMB OF THE CYBERMEN, than the one showing in the season’s second week: Robert Holmes then almost forgotten first story for the series, of mind draining robots enslaving a primitive humanoid race- THE KROTONS, which aired in the actors third and final season back in the monochrome years of 1968. It wasn’t until a short time later, however, reading the trusty words of fan supremo Jeremy Bentham in DOCTOR WHO MAGAZINE, that the real truth behind the channel’s selection would come to disturbing light, and leave all WHO fans worldwide disheartened and gob- snacked by the news of the BBC’s unforgivable and widespread wiping of its classic black and white and early colour programming output, including Classic WHO!

Still, with the passage of time, and knowing of such losses as TOMB (which, thankfully, would return to the archives many years later and get a wonderful VHS, then DVD, release), in hindsight, THE KROTONS isn’t actually too bad a representation of the late Troughton era, in particular the fine camaraderie shown by the TARDIS trio of the Doctor, Scottish Culloden survivor Jamie McCrimmon and super-intelligent future girl Zoe Herriot.

It's quarry time again for the always amiable Patrick Troughton as the Doctor.

I especially remember how nice it was to finally see what Troughton was like in the flesh, so to speak, in his television reality as the Time Lord, after years looking at memorable and evocative black and white images and plot synopsis of his stories in magazines of the late seventies.

Yes, THE KROTONS is not a well regarded adventure by any means, by either the people who made it or by fandom in general, but it’s one that, at that time in its making, had to be filmed out of pure emergency and necessity, carefully nurtured by script editor and WHO legend Terrance Dicks and optioned for use when several stories fell through. Looking terrific in its DVD transfer, the story’s opening episode has lots going for it in its set-up, which is particularly moody and suspenseful.

Originally known as The Space Trap, its roots as a story originally submitted for the BBC’s sci-fi anthology series OUT OF THE UNKNOWN clearly show (but in a good way!). The story of self-perpetuating slavery by the mind draining crystalline headed aliens, the Krotons, seems a little lightweight by today's Steven Moffat overload modern series writing but overall it’s well paced and structured across its four episodes, though there is the occasional sense of repetition of ideas and moments within this mixed bag season, and this story certainly has examples of this, most notably with the Doctor coming under scan from another high powered alien race of which only two are seen onscreen, as seen a few stories earlier in THE DOMINATORS, and once again utilising our heroes skillful acting and bumbling antics to shield his crafty manipulations and ingenuity, all of which are realised all too late for the baddies to stop him. Parts of THE KROTONS even remind me of Classic STAR TREK (then not yet aired on British TV until 1969/70) in the way that out heroes arrive on an almost primitive world enslaved by a higher power. I could imagine Captain Kirk striding about, punching out primitive warriors, locking lips with any female in eye shot, and ignoring the prime directive (again!) to face off against the Krotons (Or “Croutons” as Frazer Hines likes to call them!), though colourful sixties TREK would have built the baddie robots a lot better than BILL KING’S TRADING POST effects company did for WHO!

The Doctor confers with Jamie (Frazer Hines),  Zoe (Wendy Padbury) and Selris (James Copeland) over the knowledge drained Vana (Madeleine Mills). 

The early hints of Robert Holmes classy teatime cruelty for children also begins to emerge, as do other examples of his trademark storytelling craft, like his perchance for eccentric characters, here represented by the repressed scientist, Beta (played by James Cairncross), who has a couple of fun double-act light comedy moments with Jamie towards story’s end.

No COUNTDOWN conundrums for the gifted Zoe!

Despite some general lasting off-screen woes about script problems that season, all three of our aforementioned main stars/characters get a chance to shine in their struggle against the Krotons. As I mentioned previously, Troughton as the Doctor would be a revelation to me-I remember in my first viewing how pleasantly surprised I was by his performance, and how he brought considerable and understated charisma to the part, as well as mixing high drama, intelligence and comedy in strong measure within a continuingly appealing and ingenious performance that would capture the hearts and minds of viewers of all ages. Frazer Hines as Jamie shows trademark bravery, die-hard loyalty to his comrades and reckless but fearless fighting skills, whilst Wendy Padbury’s Zoe’s puts her high intelligence to good use in both drama and comedy moments alongside Troughton and doesn’t come across as a stereotyped whiny screamer. Costume-wise, the kinky female baddies planned for the previously aborted Dick Sharples script THE PRISON IN SPACE may not have materialised but their almost presence seems to have thankfully lingered and transferred into the design of delectable Miss Padbury’s distinctive costume for the story: a red and black little number with boots and the very shortest of micro mini skirts-a runner up to Lalla Ward’s school girl outfit from CITY OF DEATH for the most memorable costume design seen in the series for boys and dads of a certain age to enjoy...

A solid guest cast helping the trio rise above the material includes the late, great Philip Madoc, always watchable as the ambitious and scheming power player Eelek, and stalwart Scottish TV actor James Copeland (and father of James Cosmo) as the enslaved Gond people's wise leader, Selris.

"Direction point!" The crystalline robots of the story title.

As for the Krotons- the ultimate student killers (no no university tuition fee payouts from them!)- well, they’re hardly one of the shows greatest baddies, but there have been poorer WHO monsters seen throughout the series. Their organic crystalline based visual appearance and design, from series regular Bobbi Bartlett, works okay from the middle up, though their voices (by Dalek talent/ RAINBOW’s Zippy, Roy Skelton, with Patrick Tull) seem more comedic than scary-at first I thought they were speaking in cockney accents but now I hear that they were South African based! (A blatant nod to the segregation troubles heightening in that country at the time.)

A Kroton tries to disperse the TARDIS!

Going further behind the scenes, designer Raymond London does his best with basic but satisfactory sets, making the most of the spaceship interior’s darkness (luckily the Krotons hate bright light!) where he can to help hide the shows very stretched and limited resources behind the scenes, with handy recycled props from the previous INVASION story, too. There’s also some noteworthy and effective sound design by Brian Hodgson that ably makes up for the lack of costly incidental music.

Patrick Troughton and his era's famous monsters are celebrated in the excellent DVD documentary Second Time Around

Onto the DVD extras now, and the highlight of the release, and easily one of the best of the entire range of any of the 2ENTERTAIN/BBC releases over the years, is Second Time Around, a lively, interesting, thought-provoking and nostalgic look back at the entire three year era of Patrick Troughton as the Doctor: the characters all-important first on-screen regeneration (or “renewal” as it was once called) and how it came about behind the scenes, the many classic stories, the iconic monsters and villains he fought, and the equally memorable companions who accompanied him on his journey’s through the time vortex. Excellently produced by Ed Stradling, linked to great behind the scenes materials and on-screen press clippings, as well as lots of great clips (especially from the recently recovered missing episode THE UNDERWATER MENACE episode 2), backed up with some terrific and fondly remembered contributions/anecdotes from all of Troughton’s surviving companions (as well as a choice clip of the late lead actor talking about early ideas for the part), it’s a wonderful celebration of a truly golden age for the series, and a special feature you’ll want to watch again and again. This easily makes the release an essential purchase for fans, as well as bringing the Second Doctor’s surviving story run on DVD to a satisfying close.

Additionally, there’s another Doctor Who Stories featurette, focusing on Fraser Hines for part one of his thoroughly enjoyable look back at his time working on the series in both its B/W and colour classic years, whilst representing THE KROTONS itself there’s no main documentary on the story (though it is covered briefly in Second Time Around), but look out for a fine audio commentary (involving actors Madoc, Richard Ireson and Gilbert Wynn, with behind the sceners Hodgson, Bartlett, David Tilley and Sylvia James), whilst Simon Guerrier and Joseph Lidster discuss the maligned story’s strengths and weakness in another looking back edition of the love it or hate it The Doctor’s Strange Love.

Finally, there’s some nice B/W photo selections, PDF materials, and an atmospheric trailer for Sylvester McCoy’s upcoming THE GREATEST SHOW IN THE GALAXY.

More a bronze medal winner than a gold in Olympics time, it’s nice to have THE KROTONS finally released regardless, and any complete Patrick Troughton story on DVD is always welcome in my book!

KOOL TV OVERALL RATINGS

STORY: 3 out of 5
DVD EXTRAS: 4 out of 5


Monday, June 18, 2012

LIZARD REALM! THE ORIGINAL 'V' RETURNS...

Not our friends! The alien Visitors of V. Images: WARNER BROTHERS.

Humanity is back on the menu with the return of those reptilian outer space Nazi's from creator Kenneth Johnson's beloved ensemble cast sci-fi action adventure saga with a moral heart: V, the modern granddaddy/re-invention of major league alien invasion of Earth sagas, of which the original two-part, four hour mini-series gets a welcome re-run in stripped one hour episodes from today on the UK's CBS ACTION CHANNEL (followed by the inferior, but still enjoyable, serialised comic book-esque one season only weekly series). Unable to get his original mini-series idea for a character drama, based on the story IT CAN'T HAPPEN HERE (which postulated a What if? scenario involving America becoming a dictator run, Nazi-esque state), off the ground in 1982/83, Johnson literally re-worked it within a strong sci-fi motif instead- with seemingly friendly aliens asking for our help, but soon turning human against human and taking control of our society and its resources- that proved too delicious and intriguing to pass up and which immediately proved popular with the NBC network and viewers, within a genre type exploration that had never been done as well either before or since, really, and despite all the even bigger budgeted grandeur, monsters, space battles and explosions that have followed it with the likes of THE WAR OF THE WORLDS, INDEPENDENCE DAY, FALLING SKIES, etc.

Skin-deep. Beautiful but deadly Diana (Jane Badler).

Johnson crafts an intelligent and character gripping script, of which his capable TV ambitious direction soon kicks into high gear after a slow but sure first hour building up the arrival of the aliens and the beginning of their integration into our society. Once the alien agenda and their true reptilian visages are revealed by determined news cameraman Mike Donovan (the sturdy Marc Singer), the fight for humanity begins and you're quickly hooked into what will happen next, as a small resistance force led by young and inexperienced Dr. Juliet Parrish (petite Faye Grant) begins its first might battle against superior Visitor resources, technology and firepower, ultimately led by the wickedly cruel super bitch scientist, Diana (played by the still gorgeous Jane Badler). Overall, the first mini-series has held up well as it approaches it's thirtieth anniversary: the central idea is terrific (with its strong allusions to the start of World War II and the Jewish holocaust), the casting of our ensemble characters (a concept so popular at the time with hit series like HILL STREET BLUES and ST. ELSEWHERE) is effectively handled and doesn't feel too soapy, the action is well staged and the filmed effects and optical work prove very good for their time. Jane Badler's famous eating of a gerbil now looks as fake as hell but it certainly has made a lingering impression with audiences/fans, and the overall lizard make-up effects still have the urgghhh factor! If you've never seen it before, V is well worth a look.

True hero: Mike Donovan (Marc Singer) fights back.
The first Earth Resistance: Juliet Parrish (Faye Grant) and Donovan.

Mini-series clips: V The Original Miniseries NBC Narrated Recap of Part One (Widescreen, Remastered) - YouTube

GAME OF THRONES may be the addictive and ground-breaking mini-series everyone is watching today, but back in its early eighties heyday, there had been nothing like V on television before. One of the most expensive and thought-provoking series of its time, the original first mini-series has an enduring populist quality legacy and classic moments that deservedly continue to exist in the minds of classic TV audiences right up to today.


Jane Badler will be meeting UK V fans at the LONDON FILM AND COMIC CON next month. Details here: London Film and Comic Con | 6 - 8 July 2012 | Olympia Grand Hall | The Film and Comic Con for London


The original V mini-series, it's sequel and the one-off weekly series are available on DVD.