Friday, May 31, 2013

THE ENEMY NEXT DOOR! 'THE AMERICANS' HAVE ARRIVED...

The Soviet threat is alive and well during the Reagan era of US history. Matthew Rhys and Keri Russell are THE AMERICANS. Image: FOX. 

Before the horrific emergence of terrorism and religious extremism that changed our lives forever on this planet from the noughties onwards, there was The Cold War- a frightening and equally dangerous game of paranoia and tension, of East and Western superpowers ready to extinguish themselves, during the late seventies and early eighties- a time where the threat of nuclear destruction was very real, and whose potential for dramatic storytelling was unparallelled, seeing in a raft of original, exciting books and film/TV thrillers built around the very likely and intriguing scenario of what would would happen if the UK or America were infiltrated in all levels of society by enemy "Sleeper" agents- people in our daily lives whom we thought we could trust-family, relatives, neighbours, workmates- who, in actuality,  turned out to be the most dangerous threat of all to our beliefs and existence. Such works as Frederick Forsyth's action/thriller THE FOURTH PROTOCOL, and the BBC's prestigious drama series SLEEPERS would certainly make an impact during this heady and uncertain period of time, and continue to do so as examples that the glossy new US series THE AMERICANS, starting its 13 episode run this Saturday evening on ITV1 (a noteworthy event- the channel rarely putting US shows in prime-time weekend slots these days), is surely taking its cues from.

Trading the nuclear weapons and big league action of the John Travolta starring actioner BROKEN ARROW for smaller scale, but no less vital, drama (having also been so successful with the hit modern day western JUSTIFIED), writer/producer Graham Yost is one of the key talents working within THE AMERICANS format, created by Joe Weisberg, based on a real-life story of spies whose existence was finally, fatefully uncovered in 2010, after years immersed in US life. Starring FELICITY and MISSION: IMPOSSIBLE III talent Keri Russell, alongside Brit Matthew Rhys, they are the Jennings: your average, married couple on the surface, with solid jobs and popularity in the neighbourhood, but in the very cold light of day, two Soviet KGB officers part of a massive program-a very real clear and present danger- to infiltrate American society, destabilise it where possible, and steal vital intel.

Trailer: The Americans - (TV series - 2013) - Trailer - YouTube

Garnering positive reviews, the series, made by FOX and AMBLIN ENTERTAINMENT, looks set to make the most of its 80's period trappings, and has two solid lead performances. It's unlikely anytime soon to knock HOMELAND off its seating as one of TV's finest recent dramas, but it has potential to get better, especially when the stakes get higher and the Jennings identity are threatened by a series of unexpected outside factors, plus dogged pursuit by their FBI enemies (led by THE X-FILES Noah Emmerich and former WALTON Richard Thomas). In this ever-changing game of move and counter-move, Detente is not on the agenda anytime soon...

Thursday, May 30, 2013

"SECOND STAR TO THE RIGHT!" THE ORIGINAL 'STAR TREK' LIVES ON!

These are the continuing voyage of the Starship Enterprise...

The colourful and innovative sixties TV phenomenon, often imitated never bettered, would, despite its less than acclaimed launch in September 1966, finally help to make science fiction storytelling a credible reality for weekly small-screen audiences-sophisticated, smart, thrilling, funny, sexy and intelligent, with a terrific series cast, the original cew of the Federation starship USS Enterprise continues to live long and prosper, travelling to warp speed heights of action and adventure, as STAR TREK, created by Gene Roddenberry, gains critical mass near its Fiftieth Anniversary.

This wonderful mid-seventies art by popular sci-fi artist Ken Barr is a wonderful encapsulation of all the classic TREK elements: the crew, the Enterprise, the weaponry and technology of a bright, peaceful utopian 22nd Century tomorrow we should all aspire to reach, the strange new worlds and civilisations waiting to be contacted and explored, and the many classic monsters- friends and foes- that have ingrained themselves on our imaginations and pop culture over the years.

Recently winning its deserved accolade by the US TV GUIDE magazine as Favourite Classic Show, Kirk and company have been our guides, our protectors and our friends. And their adventures continue in the UK- with the 79 digitally re-mastered, high quality episodes airing weekday evenings courtesy of the HORROR and PARAMOUNT CBS DRAMA channels.

The Human Adventure continues...

STAR TREK: THE ORIGINAL SERIES (Every Episode Tribute) - YouTube
Star Trek: The Original Series Opening and Closing Theme 1966 - 1969 - YouTube
Star Trek The Video Game - William Shatner vs Gorn Trailer - YouTube

A bit of fun for two Spocks: Zachary Quinto vs. Leonard Nimoy: "The Challenge" - YouTube

STAR TREK goes PIXAR: MINION FACTORY: Pixar Boldly Goes Where No Man Has Gone Before!

Tuesday, May 28, 2013

KOOL TV REVIEW: 'ULTRAVIOLET' - THE COMPLETE SERIES DVD


They walk amongst us. The heroes of ULTRAVIOLET fight modern-day Vampires in London. Images: CHANNEL 4/MEDIUM RARE.


ULTRAVIOLET: THE COMPLETE SERIES (2 discs)

Starring Jack Davenport, Idris Elba, Susannah Harker and Philip Quast

Written and directed by Joe Ahearne

Released by MEDIUM RARE ENTERTAINMENT 


Reviewed by Scott Weller


Coming just at the right time to give the British TV horror genre a brief but welcome shot of adrenaline, the concept of Vampirism is given a modern spin beyond the blood-sucking, darkly romantic realms of the iconic heraldry of Count Dracula, alongside a new level of believability, with the terrific 1998 six-part series ULTRAVIOLET, which gets its fangs out for a subtly enjoyable resurrection on DVD, courtesy of the aptly titled production company MEDIUM RARE.

New twists on the legend of the ancient race, beyond Bram Stoker’s compulsive imaginings, show them living in an uneasy, secret state with the human race, ultimately perceiving us as the inferior species-weak cattle to be exploited in new ways, with our technology and ideas ultimately being used against us.
 
Jack Davenport as policeman turned modern-day Van Helsing, Michael Colefield.

Soon star of the PIRATES OF THE CARIBBEAN films and the SMASH! TV series, Jack Davenport stars as Michael Colefield, launched into this scary new world and becoming one of its front and center human resistors when his best friend and partner, Jack Beresford, goes missing in mysterious circumstances, his police investigations leading him into joining the shadowy world of C10- a top-secret government organization whose small but dedicated team all have unique histories and scores to settle with the creatures, armed with the latest weaponry and technological research tools to discover the Vampire’s secrets and neutralize their continuing threat. There’s no garlic or crucifixes here but some of the other well-known ways to kill them are intriguingly revisited and satisfyingly updated.
 
Analysing the science of Vampirism: Susannah Harker as Dr. Angie March.

Cleverly not ever referred to on-screen as vampires, called the technical sounding “Code 5”s (the numerical V meaning you know who!) or “leeches” whenever The Squad suspects their involvement, our team, over the inter-connected six-episode run, discover the creatures infiltration within many areas of big business, the church and in pharmaceuticals/ drug development, whilst also looking for further ideas to increase and improve their bloodline and underground terrorist war.
 
Shady dealings from Jack Beresford (Stephen Moyer) in the opening episode.

Against an atmospheric London backdrop, blurring the lines between good and evil in many respects, ULTRAVIOLET is a clever, well-thought out series with a genuine touch of class about it, written and directed by Joe Ahearne, who later contributed so much talent and dedication to the 2005 re-launch of DOCTOR WHO with Christopher Eccleston. A big success with its original airing in 2000, ULTRAVIOLET has since picked up a deserved cult following.
 
War buddies. Michael with the moody warrior, Vaughan Rice (Idris Elba). 

Its also a very well cast series, too. There’s the aforementioned Davenport, plus Stephen Moyer, popular all over again with vampires in the US TRUE BLOOD series sensation, as his “turned” friend Jack, and other top-leaguers then and now including Philip Quast as former Catholic priest and dedicated head of The Squad, Pearse Harman, a pre-LUTHOR Idris Elba Elba, an intimidating presence in opening episodes, showing lots of early promise in his role of the ex-Gulf war soldier, Vaughan Rice, and Susannah Harker, fresh from her success in the BBC adaptation of HOUSE OF CARDS with Ian Richardson, as the slightly cold but ultimately loyal blood specialist Doctor Angie March, very much in the best THE X-FILES Dana Scully tradition.

Critical comparisons of the time hailing it as being the British equivalent of THE X-FILES hold true for the most part, with genuinely inspired horror moments (Episode Five being a particular classic), that certainly live up to Chris Carter’s series alongside the kind of inter-personal character dramas, that were emerging on UK TV at the time (like THIS LIFE, which Ahearne also worked on).
 
Dead versus the living. Jack meets Michael!

Despite the success and rave reviews, though, CHANNEL 4 never quite gave a satisfactory enough reason for ULTRAVIOLET’s incredulously non-renewal for a second season (presumably a change of drama management who just didn’t “get” the show- let’s face it, things like this have happened before, especially with genre shows of this type). The promise truly was there for a further genuinely epic series to come.
 
The full cast of ULTRAVIOLET (including Philip Quast, far right, as Pearse Harman).

Still, there’s lots to enjoy with just this season, and this new release is a vast improvement over the CONTENDER set from 2001, especially on the picture and sound transfer front, with new extra features including an interview with writer/creator Joe Ahearne, part of a specially created retrospective on the making of the show which delves into the creation of the show (originally titled Vampyr Squad, and the challenges of selling it to British TV at a time when the suits just weren’t interested in horror/fantasy, or particularly anything with the idea of vampires in it!), scripting, directing (in a London that proved very unfriendly to series filming and unsettled by the thought of Vampires!) casting, and storyboarding (with a sequence from the opening episode highlighted). There’s also some terrific CHANNEL 4 trailers from the time, a series promo, deleted scenes from the first episode that are good for completism, and a stills gallery (enhanced with character dialogue and fine music from series composer Sue Hewitt).  

KOOL TV RATING (Overall episodes and special features): A top-league series, superior to many of today's US Vampire-themed shows, finally gets some special treatment. 4 out of 5









Saturday, May 25, 2013

KOOL TV REVIEW: 'DOCTOR WHO - THE MIND OF EVIL' DVD


The Master (Roger Delgado) wants revenge on the Third Doctor (Jon Pertwee) in the latest DOCTOR WHO DVD: The Mind of Evil. Images: BBC.


DOCTOR WHO: THE MIND OF EVIL (Two-disc DVD)

Starring Jon Pertwee as the Doctor and Katy Manning as Jo Grant

Written by Don Houghton

Directed by Timothy Combe

Available 3rd June from BBC DVD


Reviewed by Scott Weller


Weapons of the mind and of physical carnage are the latest problems for our heroic DOCTOR WHO as the battle against his sworn enemy, dangerous fellow Time Lord singularly known as the Master, continues, in the classic six-part 1971 adventure of prisons and peace conferences: The Mind of Evil, finally available in restored full colour on two-disc DVD from the BBC.

Whilst all of the shows Doctors and eras are being well catered for in the BBC’s DVD releases during the Fiftieth Anniversary, Jon Pertwee’s era has shined the brightest so far, what with this and the prior release last month of another of that period’s most regarded stories, the nightmare parallel Earth story Inferno.

Trailer: Mind of Evil - Doctor Who DVD - YouTube

A solid and hugely successful second script from that story’s same writer, Don Houghton, The Mind of Evil is just as thoroughly entertaining but goes for a less depressing scenario-here we’re firmly entering James Bond-esque territory mixed with prison drama intrigue and an interesting sci-fi monster of the week twist that proves an original new threat to our hero. Mind is a satisfying hybrid in many ways, mixing the Quatermass style realism of the show’s previous season with the fantasy elements that would become so indicative and enjoyed of the Terrance Dicks and Barry Letts’ full creative takeover of the series with Season Eight- keeping the big concepts, but making them further audience friendly, in a more fast paced, flashy comic book style than had been seen before. It’s also one of the few six-parters of the time that successfully maintaining its story duration, and never flags.
 
Prime Pertwee! The Third Doctor begins his investigations.

Star Pertwee clearly enjoys the seriousness of the dilemmas and dangers the Doctor faces here, but also has the chance to show some charm and humour, especially in his scenes with the Brigadier (the Wise to his Morecambe) or with relatively new companion Jo Grant (the always endearingly sexy Katy Manning), their relationship starting to blossom whilst captured in Stangmoor Prison, during their examination of an unusual new device to temper hardened criminals, planned to replacing capital punishment, which soon goes awry-alien interference and manipulation quickly discovered behind the stone walls and confinement cells.
 
The Master (Roger Delgado) revels in the chaos.

Arch-foe Roger Delgado as the Master makes the most of his season-long guest star appearances, and is very much the Bond villain here, what with his chauffeur and limo, a big cigar to puff down on and a femme fatale, in the shapely form of the controlled Chinese delegate liaison (played by Don Houghton’s wife Pik-Sen Lim), to do his bidding. Never has the clicking of fingers been more sinisterly effective.

Away from his Nehru high-collared suits, “the Doctor’s Moriarty” has the world’s fate in his vice like grip, stealing a deadly nerve gas missile and planning to attack a vital World Peace Conference that’s simultaneously taking place. (As a continuity side-note, world diplomatic relations with the Chinese reaches a state of escalating tension by the next season, and the return of the Skaroan tinpots, in Day of the Daleks.)

Jo Grant (Katy Manning) and the Doctor (Jon Pertwee) feel the mental terror of the Keller Machine.

Of all is appearances in the Pertwee years, this is the closest that the Master gets to almost defeating his pest of an enemy, and he certainly puts the Doctor through the ringer at numerous times: beaten up psychologically by the alien inhabiting Keller Machine, and physically by the prison thugs enjoying their freedom in the madhouse.

And the Master’s “pet” in the Keller Machine – an equal mind of evil to him- is certainly one of the most formidable monsters of the shows era, despite its box-like appearance. The concept of a creature that feeds on fear and terrifies victims to death remains a strong one- its on-set realisation pretty effective, accompanied by some memorable sound design from Brian Hodgson and a hauntingly dangerous electronic whirly-gig theme of Machiavellian malevolence from the series then regular composer, Dudley Simpson, effectively utilized in the scenes that show the device disappearing and re-appearing to drain and kill its victims.
 
Prisoner Branham (Neil McCarthy) is an early victim of the Keller Machine.

Soon, the out of control Keller machine is freed from even the Master’s enslavement, as the classy villain once again, despite his determined abilities and grand ambitions to destroy the Earth in front of the Doctor’s eyes, makes a complete mess of things and is forced to rely on his rival and former friend to help him contain its influence.

In the midst of all this, the Master’s other plans for the planet, namely the takeover of a nerve gas missile, gather momentum, and it's here that the Doctor’s loyal friends at the top secret UNIT organisation come into story play.
 
The impressive nerve gas missile stolen by the Master.

A more cozy set-up than what had been previously shown last season, our small band of Britain’s finest alien-fighting troopers show their mettle by the end of the story, though early on they prove no match for the abilities of the Master’s assembled, hardened criminals when they attack their missile convoy- of which even our friendly Sergeant Benton (John Levene) gets seriously hurt in the battle, whilst Captain Mike Yates (Richard Franklin), who should never be put anywhere near a motorbike!- becomes a captive of the renegade Time Lord for a brief period.

From all this chaos, Brigadier Lethbridge-Stewart’s leading from the front attitude- a rallying call for his brave soldiers- proves its worth in a successful Trojan Horse-style attack on Stangmoor Prison (represented in some lovely location filming at Dover Castle) to seize the missile and rescue the Doctor. The sequence is easily one of the character and actor Nicholas Courtney’s finest moments in the series, effectively utilizing Derek Ware’s at-their-prime stunt team, HAVOC.
 
Mailer (William Marlowe) plans to kill the Doctor.

A fine supporting cast caught in the drama and conflict includes THE GENTLE TOUCH’s William Marlowe, always at his best when playing hardened baddies, Michael Sheard, in his second of several appearances throughout the series classic era, as a friendly prison doctor taken prisoner, and Neil McCarthy, making a worthy impression as brain-sapped gentle giant Barnham, a survivor of the Keller Machine’s early operation, who also plays an important part in its defeat by story’s end.
 
The Doctor has no choice but to incapacitate Barnham.

Having steered WHO success the year before with his directing of the hibernation emerging Silurians, Timothy Combe’s work on Mind is fast paced and has some great angles. It’s a real shame that unforeseen filming problems and some expensive additional shooting on this already over budget big story meant that he was never to return to direct future episodes of the show – a policy decision made by the BBC at the time that was well and truly wrong, and one which, to this day, haunts and clearly upsets the director, having been involved in so many previous and successful WHO stories in various behind the scenes capacities. Combe clearly gave one hundred per cent to this story and was surely a much missed creative force during the Pertwee era.
 
The inmates have taken control of Stangmoor Prison.

Bringing extra greatness to little money, and stretching the BBC studios to their fullest resources, Combe, under the gun all that time, is capably assisted by designer Raymond London, showing greater range here than he did on his previous B/W Patrick Troughton story- the woefully budget inadequate The Krotons.

There’s really only one very small negative to this otherwise superb adventure: a mythical Chinese dragon monster that appears in hallucinatory but deadly form at the end of episode two/the beginning of episode three, which is more cute-looking than ferocious, affectionately and derogatorily nick-named Puff the Magic Dragon at the time by Terrance Dicks!


A selection of stills from the excellent colourised episode one work.

Dream dragon aside, it’s truly a shame that The Mind of Evil doesn’t exist in its original pal 625 line state-of all the Pertwee tales this is one of the most deserving. Though, in some respects, its earlier B/W life did give it some story-telling atmosphere. The new colourisation, a lengthy time-consuming process which delayed the release until pretty much the end of the WHO DVD run, is a visual marvel, done with the best available technology. Episodes One, Four to Six show the best overall quality, though the middle episodes regrettably have some so far uncorrectable streaking problems. However, colour detail pulled out in the best sequences-especially within the prison interiors- is very good. Full marks to Stuart Humphryes, Jonathan Wood and Peter Cricker for all their dedicated efforts, and to stalwart Mark Ayres for the audio restoration.

Beyond the huge behind the scenes work, the overall extras accompanying the release are solid if not quite as expansive as previous releases. There’s a big-time audio commentary from Katy Manning, Pik-Sen Lim, Fernanda Marlowe (who played UNIT Corporal Bell in several Season Eight adventures), Timothy Combe, Barry Letts, Terrance Dicks and Derek Ware that proves a rewarding listening experience, moderated by Toby Hadoke.


Barry Letts, Fernanda Marlowe and Pik-Sen Lim, with Timothy Combe, return to Dover Castle in The Military Mind documentary.

But the standout is the all-new documentary, The Military Mind, taking many of the cast and crew back to Dover Castle for some happy (and not so happy) reminiscing (a then and now look at the location is also included as a separate featurette). Contributors here include Nicholas Courtney and Barry Letts (recorded several years before their sad passing), Pik-Sen Lim, Fernanda Marlowe and Timothy Combe. Combe once again proves very enthusiastic about his time on WHO and his sadness at not doing more directing for it shows through at the end. Another fine production from producer/director Chris Chapman.

From the archives comes an intriguing 24 minute day in the life documentary from 1971 on the now sadly defunct BBC television Centre, at its iconic powerhouse drama and comedy making best (shot at the same time that WHO’s eighth season was continuing studio production). It’s a fascinating slice of nostalgia from a time when TV, in the days before iPlayer and DVD recorders, really did mean something to its audiences.
 
The Keller Machine wants your mind!

PDFs of the RADIO TIMES and a 1971 Kellogs Sugar SmacksWHO promotion are there for downloading, there’s a surviving off-air recorded voice over trailer for the story from 1971, a photo gallery of mostly BW images, and production info subtitles that shore things up. And there’s a spiffing trailer for the next Jon Pertwee release- the all-film Blu-ray release-a first for the Classic Series- of his debut adventure against the plastic-loving Autons menace, in Spearhead from Space!

KOOL TV RATING: Exciting and efficiently made, The Mind of Evil is another genuine All-Time Classic WHO making its brain-drain presence felt on DVD. Overall rating: 4.5 out of 5

Get hold of The Mind of Evil here:

The recent BFI screening of the story with a lively cast and crew talk: Doctor Who: The Mind of Evil Event - YouTube