Thursday, October 4, 2012

KOOL TV REVIEW: 'STAR TREK: THE NEXT GENERATION - 365' BOOK


Still boldly going, and boldly entertaining viewers 25 years on, the cast of STAR TREK: THE NEXT GENERATION celebrate their on and off screen lives in the new 365 book from ABRAMS books. Image: ABRAMS/CBS PARAMOUNT.


STAR TREK: THE NEXT GENERATION - 365

Published by Abrams

By Paula M. Block and Terry J. Erdmann 

Introduction by Ronald D. Moore


Reviewed by Scott Weller

With no signs yet of any cracked dilithium crystals to hamper their progress, Captain Jean-Luc Picard and his spirited crew of the starship Enterprise continue their warp speed lives within the 24thcentury, as their 25th Anniversary of television existence is celebrated in style with the release of this new book from Abrams, continuing the essential purchase format of their earlier hit STAR TREK: THE ORIGINAL SERIES book in the 365 days of a phenomenon portfolio tome which has proved such a success for the company over the last eight years. With STAR TREK: THE NEXT GENERATION- 365 we have a far better book than what has gone before in this sci-fi classic franchise, and which also proves to be an even bigger treasure trove of material dug deep from the CBS PARAMOUNT vaults by dedicated authors Paula M. Block and Terry J. Erdmann-the new literary orators of the shows landmark history.

It’s a seven season period brimming with classic moments and iconography well represented in this book for its worldwide die-hard fan base to savour. Amidst tons of rare and distinctive colour and B/W episodic imagery that will delight readers- finally well printed and looking better than ever- classic stories get deserved extra page sections like Season Two’s Borg intro Q Who?,  the Data on trial drama, Measure of a Man, Darmok, The Inner Light and Chain of Command, as well as showing us the changing times the new series was made in and the things that both TREK incarnations could and couldn’t do, yet also how both pioneered in different or similar ways, too. Most importantly, we get an even clearer picture of the behind the scenes factors that got such episodes and the overall series made: how a little bit of luck and serendipity often played a part in its success through its 178 episodes and beyond as it carved out its own unique place in TREK and sci-fi history in general, as well as laying the all-important foundations for future United Federation of Planets based series to come…

Most of all, 365 is the story of how its creator, Gene Roddenberry, returned to his universe, and his attempts, sometimes fixation, to do take two of his vision for STAR TREK, so as to prove any naysaying critics wrong about his talents in inventing/producing the kind of storytelling, on bigger and better budgets, that the restrictive and all-empowering networks and film companies of the sixties and seventies couldn’t, or wouldn’t, previously allow him to realize with Captain Kirk and co. This is truly Roddenberry’s story, whose mighty legacy, if sometimes behind the scenes controversial in its overall vision, would be taken up by a core of equally talented, if not quite as iconic figures for the road beyond his passing in 1991…

Such eventful history-making is a great reading journey to undertake and discover, showing the fun and hard work by the shows overall ensemble teams in front of and behind the camera over the years, with classic anecdotes- some jolly, some bittersweet- all showing the dedication they had for the series, for Roddenberry and its weekly audiences. How the warm bonds of a family were forged which continue to this day from those beginning realities and problems of getting such a bold and, at first risky, venture made.
Patrick Stewart, in costume as Locutus of Borg, looks forward to the next script! 

Above image ® & © 2012 CBS Studios Inc. All Rights Reserved. STAR TREK and all related marks are trademarks of CBS Studios Inc.


The opening section of the book- the genesis of the premiere season- is by far one of its highlights, with some great newly revealed facts and info snippets on its its often troubled, also often inspired realization, backed up with rare photography and concept artwork, notes from the show evolving writers guide/bible, casting details (including the original choices considered for certain characters), and iconic contributions/fun anecdotes from many of the cast and crew (some of which were totally unprepared for how successful the new incarnation would be!). Alongside the creatively revitalized Roddenberry, we also get to see the emerging talent and presence of Co-Executive Producer Rick Berman on the series and TREK in general.

Particularly interesting in the book are the comments and memories linked to the sometimes difficult but resilient and talented writing team, headed by seemingly hard task master Michael Piller, that brought the series and characters to reality from their workstations, and how careers began with the likes Ronald D. Moore (who also provides a warm introduction to the book), whose spec script would soon launch him on a writing career that would make him a television power player with his work on NEXT GEN and the modern BATTLESTAR GALACTICA reimagining.

There’s explanations, too, about why some episodes would turn out better than others in its mighty period on the airwaves: sometimes because of individual errors, lack of budget, script problems, writers strikes and the like. Through all this we also get to chart the rise and rise of a popular series which, by its third season, broke free from early limitations, and the handicaps of being associated to an already famous institution, to become one of the most successful and perennially popular and intelligent sci-fi shows out there…
A stunning look at the original Enterprise-D model from the first season. 

Above image is ® & © 2012 CBS Studios Inc. All Rights Reserved. STAR TREK and all related marks are trademarks of CBS Studios Inc.

Further lovely and rare colour and black and white shots splendidly represent the show in its film-making heritage, showing the behind the scenes process in general, a look at the people and decision-makers who’d make such a mark on STAR TREKs to come, the often striking make-up, costume designs, rare and unused production designs for sets (like the ones for the newly designed and more futuristic looking Enterprise–D), the return and upgrading of various beloved and feared races like the Klingons and the Romulans, various newcomers like the Ferengi, and the iconic spaceships to have graced the series.

Plus, looks at the numerous guest stars and visitors to the set over its filming duration (President Ronald Regan no less!), rare memorabilia, location filming, deleted scenes (even an ultra-rare shot of the late David Rappaport in character as the alien collector Kevas Fajo in his uncompleted role of Season Three’s The Most Toys (the actor sadly taking his own life a short time afterwards)), crucial special effects notes and storyboards. Even Data’s poem to his beloved tabby cat-Ode to Spot-gets a celebration!

A labour of love and a worthy tribute of the show in its landmark pop culture status, STAR TREK: THE NEXT GENERATION – 365 is a perfect compliment to this year’s continuing season releases on high-quality Blu-ray from CBS PARAMOUNT. Unpop that bottle of Chateau Picard and raise a toast to those fine adventurers of the Federation.

KOOL TV RATING: You must assimilate this into your collection immediately! 5 out of 5

The authors talk to STARTREK.COM about how the book came together: Star Trek Inside Look At TNG 365 With The Authors

Wednesday, October 3, 2012

KOOL TV REVIEW: 'FRINGE: THE COMPLETE FOURTH SEASON' BLU-RAY



Time Warriors! The heroic trio of FRINGE return for their newly released Season Four on Blu-ray and DVD. Images: WARNER BROTHERS HOME ENTERTAINMENT.


FRINGE: THE COMPLETE FOURTH SEASON

Starring Anna Torv, Joshua Jackson and John Noble

Available on Blu-ray and DVD from WARNER BROTHERS HOME ENTERTAINMENT


Reviewed by Scott Weller

On UK TV a few years back there was a fun and memorable series of commercials from the British Telecom phone company which urged families in their tag line, “It doesn’t cost much to keep in touch”, and maintain contact with their loved ones wherever they were across the globe. But what would happen if your loved one/s had completely disappeared not only from sight but from reality itself, from history completely, as the wheels of time marched on without any trace of their existence…?

That’s the grim fate encountered by scientist and hero Peter Bishop at the end of Season Three of the cult hit sci-fi drama series FRINGE, originally created by JJ Abrams, Alex Kurtzman and Roberto Orci, of which its fourth exciting series, now available on stunning Blu-ray HD and DVD from WARNER BROTHERS, would prove to be one of its most intriguing concept-wise as well as one of its most potent drama-wise, too, as the series continued to evolve and re-evolve, revealing new facets to our likable main cast and their relationships, alongside a reformatted series format (no time to catch your breath here!) and a building sense of quiet but no less disturbing new incidents on the fringe (excuse the pun!) of current mind-bending plotlines, building towards resolution and action from its season mid-point.


Sorting out the time conundrums: Peter Bishop (Joshua Jackson), Olivia Dunham (Anna Torv) and Walter Bishop (John Noble).

But back to the mystery of Peter, as the opening episode, Neither Here Nor There, kicks off with a subtle but no less intriguing start from events of the aforementioned and gripping season finale, where, having saved the universe-both ours and its warring cousin of the parallel universe, and brought a kind of stability to both sides continued co-existence- he’s now been seemingly disintegrated forever, much to the shock and horror of TV viewing fans across the globe, remembered for a mere few moments before time-altered obsoletion hit the rest of the FRINGE team-heroic but vulnerable Olivia Dunham (Aussie hottie Anna Torv) and Peter’s once devoted but now seemingly back to the brink of madness Walter (another Aussie marvel, John Noble. Why, oh why, he’s never won any awards for his incredible, multi-faceted performance, I don’t know!). Behind the scenes, the producers had teased us with the news that Peter might not be back in the series for a few episodes and they indeed lived up to that promise but his presence was always there, somewhere, thank goodness, seemingly in a ghost-like limbo between worlds, and causing poor Walter, already upset over his son’s death as a child, committing a partial lobotomy so as to eradicate the newly fractured spectre from his mind, and truly pulling our emotional heartstrings in the process. Peter finally, at just the right time in the new series, circa episode five, appeared alive and well (and we really hadmissed him by this point), bursting out of the lake his other self had died in as a nipper, but now having to adjust himself to a group of loved ones with mostly different histories who now no longer knew him, especially Olivia, whose role in the FRINGE division had never been impacted by his dedication, friendship and love towards her. Suffice to say, the series reset button almost acts as a new way-a clean sweep- of introducing/re-introducing much needed viewers to the series, many of whom States-side had presumably abandoned it because they find soap operas hard enough to grapple with, let alone the prospects of alternate universes, anti-matter and other snappily weird but wonderful science! And that’s the beauty of a full season box set like this, which the series has ultimately been made for, where we can really sit back and concentrate properly on it, watch and digest things in one go rather than week after week. FRINGE is complex and involving television that needs the audience to think, and that ain’t no bad thing…

(As a fun side note linked to Peter’s childhood, did anyone notice the cool little reference to Jackson’s so far, sadly unmade UFO revival movie based on the hit UK TV series by Gerry Anderson? Walter opens his late son’s 1970's UFO lunch box and it's toy souvenirs and coins. A charming touch by the series producers.)

Our Olivia and Peter: finally reunited!

With the team back in action, searchlights on, coats gamely protecting them from the chill of Canadian filming weather, and investigative nooks and crannies being explored, it’s nice to see the series settle back but also push new boundaries in this re-tweaked format, where characters who once died have returned with different or altered histories thanks to Peter’s universe changing, having not previously crossed paths with him or encountered the FRINGE Division. The show returns to it’s a roots as an almost THE X-FILES-like continuation for modern viewers, what with some crazy but highly watchable singular episode anthology story types of the kind once seen in its premiere year. Lively and intriguing tales would include a new spin of the vampire concept, a girl who can predict peoples death and warn them via her drawings (a kind of female psychic Rolf Harris!), the discovery of a strange weed-like bacteria affecting children’s state of mind, and a Groundhog Day-like town which our heroes are seemingly trapped in…

The alternate universe figures of Lincoln Lee (Seth Gabel) and Olivia are on the hunt for a vigilante killer in Everything in its Rightful Place.

Amidst all this, there’s further fun mixing and matching characters in the now altered and re-altered timeline of ours and the parallel universe, as Walter, a bit of an agoraphobic in our revised universe, finally gets some strong screen time with his slick and controlled Walternate opposite, whilst his lovely assistant Astrid (always warmly played by Jasika Nicole) gets her own tale, Making Angels, involving interactions with her intuitive RAIN MAN-esque counter-part in the other universe, in some sweetly written and played scenes, part of an overall plot about a wannabe savior and living euthanasiaist, able to see the past, present and future, wanting to end peoples lives and suffering before they die tragically further down the line.

Sadly, one of the shows best supporting characters, FBI boss Philip Broyles, played with friendly steel and authority by Lance Reddick, doesn’t get enough to do this year, after some promising stuff seen in Seasons Two and Three. Let’s try to fix that in Season Five, eh, behind the scenes guys and gals?

Just as the FRINGE train is speeding down the track, now much more of an ensemble series, you can always rely on its dedicated writers to up the ante ever further by mid-point, as those mysterious and sometimes pesky Observer baldies escalate their return appearances (most notably with the always welcome presence of Michael Cerveris as one of their key custodians of time), who, having not been satisfied with wrecking Peter Bishop’s life, now focus their attentions on poor Olivia; predicting her ultimate demise in a building sense of gloom and danger to come for the remainder of the season, and just as she and Peter are about to pucker up!

A prelude of things to come. The Observers return in Season Four's opening episode.

And as the Baldies are back, let’s not forget the equally ingenious return of those icky and gooey Shapeshifters, but in a newly imagined way with the series revamp, now even harder to discover as they infiltrate and wreck havoc across our world, including one disguised as MASSIVE DYNAMIC scientist and now adoptive mother figure to Olivia, Nina Sharp (Blair Brown), whose clothes collection almost rivals Servalan from BLAKE’S 7 for continued use of the colour black…

Episodes Thirteen and Fourteen see another welcome twist taking us by surprise as our Olivia, seemingly getting back the memories and mind of the original version of the character we know and love pre-Peter’s disappearance, is suddenly kidnapped by the returning threat that is universe-crossing terrorist David Robert Jones, no longer the dead man from season one, played with cunning precision and quirky spookiness once again by Jared Harris. The poker tabled dramatic stakes are called with his return, as he prepares a new and even more deadly reign of terror on our heroes and their worlds.

Michael Massee makes a fine guest villain in A Short Story About Love.

Episode Fifteen, A Short Story About Love, explores the concepts and power of good and evil as Olivia, temporarily sidetracked in her hunt for the escaped Jones, fights a deformed Joan Rivers-lookalike scientist, Richmond (a wonderfully creepy Michael Massee), who preys on couples for their love and pheromones so as to make the world a better place, whilst Peter discovers new truths about the universe he's in and the Olivia he loves. Then, hearkening back to its series roots with the original pilot episode, the sixteenth, titled Everything in Its Right Place, sees a nostalgic return to the superb opening of the series and an interesting inversion of its memorable pre-titles scenes- of a strange human transmogrification, porcupine-like beast let loose on an airplane. Now, history has been altered and we get a new take on what was going on within a now no longer doomed flight, its origins and ramifications clearly defined in a strong lead-in to what will be the conclusion of Season Four, given further exploration as part of a new plot linked to genetic re engineering and the Sumerian empire of the past.

Episode Eighteen, The Consultant, returns back to David Robert Jones, as our Walter, in his dressing gown no less-a Rip Van Winkle for his time, makes a stop into the alternate universe and unearths Broyles as Jones unwilling mole into the work and plans of the FRINGE team, of which the series technological Moriarty’s bigger picture involving the collapse of the two universes is truly unveiled.

John Noble continues to excel in his multi-layered performances as Walter and Walternate (pictured here).

Events beyond that frightening scenario look even worse for our universe in fan favourite Episode Nineteen, Letters of Transit, as, with the writing on the wall indicating that the show may or may not be renewed by FOX executives, sees the writers have a little fun projecting a possible future for our FRINGE team in 2036, with our one and only Earth now subjugated by The Observers. Our heroes, believed dead and a part of old history, are now reawakened from their amber covered sleep to lead a new resistance force. LOST’s Henry Ian Cusick is a fine guest presence in this episode alongside Walter and an older Peter Bishop, happily reunited with his daughter-to-be, Henrietta (played by Georgina Haig). Full of enjoyable references to other sci-fi like BLADE RUNNER, with its opening title and music pastiche, alongside dialogue quotes from STAR WARS, Letters showed tremendous future potential. Even better, we got a brief visual appearance from genius William Bell, aka Leonard Nimoy, the actor once more happily coming out of retirement to play the scientific guru (and opposite to Walter), for the upcoming two-part finale, as the duo’s past Cortexiphan experiments have grave consequences for the two universes when their childhood experimentee Olivia becomes a super weapon from its effects: one of their most powerful test subjects ever, and an object of desire for David Robert Jones and Bell, now unveiled as the mastermind behind him, to complete their plans.

Brave New World, the two-part finale, sees the final battle against Jones sadly coming to an end in a mildly unsatisfying and slightly underwhelming way, as Olivia’s latent psionic abilities grow against him, of which she also saves Peter’s life in the process. Meanwhile, Walter and Astrid make a fine sleuthing pair investigating the return of Bell in his revised evil persona…
Lincoln and the Alternate Universe FRINGE heroes (including Jasika Nicole's Astrid) say goodbye...

Another door closes, too, as the alternate universe explored since Season Two says goodbye to the other, in an important event well-handled within the series, with poor agent Lincoln Lee, played by Seth Gabel (who I never really took to as a character in the series), having lost the chance to love our Olivia, deciding to stay with the other, spunkier version of her character across the timescape. I’m sure the sparks will fly there…

By the fast-paced part two, William Bell’s ambitions as the universe collapsing Noah, with his all-consuming genetically engineered ark of humans turned mutated animals, gains critical mass, thanks to the powers of Olivia (aka Hurricane Libby), whose abilities, almost at critical mass, are only just deflated. Nimoy as Bell is, thankfully, just too good a character to kill off, ultimately disappearing rather than confirmed dead in the final conflict, for one more hopeful re-match or encounter?

Move and counter-move. Walter confronts his old friend, renegade scientist William Bell (Leonard Nimoy) in Brave New World.

Another LOST veteran, sexy Brit-star Rebecca Mader, adds some good support in this finale alongside Bell, helping to conclude it all on a strong and effective note. The threat from Bell, and the then seemingly wrap-up character moments for our heroes, would have made a fine series finale if the show had indeed been finished there, instead of what would also be the equally well deserved fifth season renewal announcement that occurred not a moment too soon from the FOX network: surely one of the best creative/commercial decisions in its history of television making, of which the writers plans for the Observer invasion can now be initiated, and teasingly launched in the last episodes final moments, with the arrival of baldy man Cerveris in Walter’s lab at Harvard, interrupting his peanut butter and jello sandwich consumption no less, with the bad news that “They are coming...”

With it’s confident, often inspired, scripting, great acting and strong visual realisation, this high quality season of FRINGE was one of the most enjoyable yet, with most of its big ideas and character changes working well, resurrecting strong links to the shows past and keeping its legs striding firmly to it's eventual finale destination.

The episodes continue to look stunning in their Blu-ray incarnation, with terrific sound design. The lack of episode audio commentaries is annoying, but there’s some encompassing, if still not long enough, special featurettes to enjoy, including A World Without Peter, where the behind the scenes team talk about the absence of Peter Bishop from the series and how it impacted on the show and its characters and format, The Observers: a look at the mysterious race and their origins and mythology, and Beyond the Comic Book, which takes a look at Joshua Jackson’s comic book linked to the series: BEYOND THE FRINGE: PETER AND THE MACHINE, of which an excerpt is also available on the disc as a DigiComic. There’s also some fun with Have You Seen Walter Lately? - A look at some of his classic moments of humour and greatness from the series, a mostly funny gag reel and The Culture of FRINGE: a thirty minute look at the way the show mixes science fiction, science fact and morality within its format.

For fans in both ours and alternate universes, FRINGE: THE COMPLETE FOURTH SEASON is another essential purchase to your collection, at a time when really goodquality modern sci-fi TV is very hard to find….

KOOL TV OVERALL RATING: 4 out of 5

Check out our previous FRINGE features here: http://kooltvblog.blogspot.co.uk/search/label/FRINGE


The UK premiere of Season Five of FRINGE begins on SKY ONE Wednesday 24th October at 10pm.